A Quote by Tia Carrere

As an actress, you're already disregarded for a lot of the parts by the people who are setting up those shows. You don't need your agent to be doing the same. — © Tia Carrere
As an actress, you're already disregarded for a lot of the parts by the people who are setting up those shows. You don't need your agent to be doing the same.
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
We're all trapped. It's always 1734. All of us, we're stuck in the same time capsule, the same as those television shows where the same people are marooned on the same desert island for thirty seasons and never age or escape. They just wear more makeup. In a creepy way, those shows are maybe too authentic.
I think a lot of other shows cast off of people's reels, and I think every one of those people came in, auditioned for those parts, and knocked it out of the park, and I thought they did an outstanding job in the course of the season.
Growing up doing those Kiwanis Clubs, doing those Cub Scout banquets, doing those church shows, I learned to find that sensibility that most people could laugh at - that all ages and demographics could laugh at.
I don't sit around and wait for great parts. I'm an actress, and I love being one, and I'll probably be doing it till I'm 72, standing around the back lot doing Gunsmoke.
I don't sit around and wait for great parts. I'm an actress, and I love being one, and I'll probably be doing it till I'm 72, standing around the back lot doing 'Gunsmoke.'
It's bad enough that I'm an actress that wants to be recognized as an actress. Instead, I am known for doing game shows.
There's always going to be someone out there... who doesn't believe in you or who thinks your head is too big or you're not smart enough. But those are the people you need to ignore, and those are the times you need to just keep doing what you love doing.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.
I guess drag queens, by nature, have to do everything. When you start being a drag queen, you're grabbing the microphone, hosting the shows. Then, you're setting the microphone down and doing the number. You're spending the day before doing your wigs and sewing your costumes. You're doing everything.
I wanted an agent who would actually sell stuff. After two British agents failed comprehensively, I was reading Locus (the SF field's trade journal) and noticed a press release about an experienced editor leaving her job to join an agent in setting up a new agency. And I went "aha!" - because what you need is an agent who knows the industry but who doesn't have a huge list of famous clients whose needs will inevitably be put ahead of you. So I emailed her, and ... well, 11 years later I am the client listed at the top of her masthead!
I was trained as an actress. But I wasn't a very convincing actress, so I started doing punk poetry and then fell into doing stand-up.
I had no desire to be a star. I wanted to be a character actress and be able to do all kinds of parts and work on a lot of things. That was my unconscious choice. I wanted to be an undercover actress.
In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.
When it comes to representation and agent meetings, a lot of times actors go into the meeting with the idea that they need the agent to pick them - but it's a partnership.
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