A Quote by Tia Carrere

I was very young. I thought I knew a lot and I really didn't. I trusted the wrong people. — © Tia Carrere
I was very young. I thought I knew a lot and I really didn't. I trusted the wrong people.
I definitely was always expected and encouraged to be a songwriter from a very young age, ... But really it's because, as a child, I thought I was Judy Garland. And when I started out, I was a little nuts. I thought I was a classic, legendary superstar when only 10 people knew who I was. I feel in some ways that my confidence is misinterpreted as arrogance, which is understandable. But I've also always thought that false modesty is evil.
I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.
There's just a lot of really young, entitled people. I don't think a lot of these young people have to work very hard. They're found on YouTube and, boom, thrown into the studio, so they think they can get anything they want.
On a personal level, the 'Young Apprentice' schedule is very long. The children needed long breaks so the sheer amount of time it took made it tougher. There was a lot more hanging around. But as a show, championing young people and promoting young people who are willing to have a go, I thought it was great.
When I really young yet feeling very old, I offered up a lot of myself to the press; I knew it was good copy.
I knew from a very young age that there was something very wrong with me.
I knew from a very young age that there was something very wrong with me
Who knows what Yale thought it was getting when it hired Richard Rodriguez? The people who offered me the job thought there was nothing wrong with that. I thought there was something very wrong. I still do. I think race-based affirmative action is crude and absolutely mistaken.
Now we're in a recession, and at war, so people want to see this chihuahua movie, The Fountain. To be told to come to terms with death, that death is the road to all - it's a very intense subject. But as with movies that are very unusual, that have come to be thought of as very interesting, one finds out at the time that they were not understood. So who knows? We'll see. A lot of people really, really loved it, and a lot of people didn't get it.
Actually, I never really thought I would be a model. I never knew a lot about fashion and magazines, and I never paid attention to it. I was a young girl, though.
I always knew I'd be an actor. I always knew I'd at least be on a big screen somewhere. Everyone else I was watching, they were cool, but I thought that I could bring something fresh and new, even when I was really young. I didn't really know how it was going to pan out, for sure, but I always knew that one day I would be on the big screen. I had no doubts in my mind.
To this very day, I do not know what he (Hitler) thought or knew or really wanted. I only knew my own thoughts and suspicions.
I hated old people as a young kid who thought he knew anything about punk rock. I just thought old people sucked and I thought their opinions sucked.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
I wouldn't have ever travelled so many of the wrong roads if I really knew God and who He really was too me and to the world. My identity would have been rooted in the truth of who He created me to be instead of rooted in figuring out who I was in all the wrong places and with many of the wrong people; especially guys.
My mum was into pottery and embroidery, very artistic, and she knew some people from the college, which I think was how I got into it. My dad, who was a head-hunter, was also an incredible artist, and when he was very young, he was a really good cartoonist.
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