A Quote by Tibor Fischer

As suburbs go, Bromley's not bad. But as David Bowie and Hanif Kureishi have observed, you do want to get out of there quickly. — © Tibor Fischer
As suburbs go, Bromley's not bad. But as David Bowie and Hanif Kureishi have observed, you do want to get out of there quickly.
I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me it is like a mythical place.
I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me, it is like a mythical place.
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
David Bowie's music is a moving target. Just when you think you got the bullseye, it shifts. And to his credit, on to death, it's still shifting. David Bowie is a moving target, even after he's gone.
I remember giving birth in Bromley Hospital annexe. It was painful. Zowie was 8 lb. 8 oz. David was there the whole time. It was the first and only time I saw David cry.
I knew about things like Iggy Pop and The Velvet Underground, weirdly, before I knew about David Bowie. I didn't know what David Bowie was, when I was a kid. I thought he was like Visage.
Creative writing lessons can be very useful, just like music lessons can be useful. To say, as Hanif Kureishi did, that 99.9% of students are talentless is cruel and wrong. I believe that certain writers like to believe they arrived into the world with special, unteachable powers because it is good for the ego.
You still have to enjoy the tour games. If you go out there and just go through the motions, you can easily get into bad habits, you lose a bit of rhythm or a bit of form and then things can go pretty bad pretty quickly.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
When you talk about a man like David Bowie, you have to go in there with dignity.
There's an old African proverb that says "If you want to go quickly, go alone. If you want to go far, go together." We have to go far - quickly. And that means we have to quickly find a way to change the world's consciousness about exactly what we're facing, and why we have to work to solve it.
As I always said: I fell in with David Jones. I did not fall in love with David Bowie.
This site uses cookies to ensure you get the best experience. More info...
Got it!