A Quote by Tibor Fischer
Most books reviews aren't very well-written. They tend to be more about the reviewer than the book.
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Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
I have earned wages as a waitress, a nanny, a librarian, a personnel officer, an agricultural laborer, an advertising secretary, a typesetter, a proofreader, a mental-health-care provider, a substitute teacher, and a book reviewer. In and around the edges of all those jobs I have written poems, stories, and books, books, books.
The unflattering reviews are painful for short periods of time; the badly written ones are deeply, deeply insulting. That reviewer took no time to really read the book.
I do wish that reviews were less like book reports. There was an era when reviewers had something to say about a book: when they painted context and drew conclusions. Many reviews these days are little more than plot summary.
I am a book reviewer. I write for a glossy magazine called 'SCI FI.' The money is not life-changing, but it's a low-stress gig. Publishers send me their books. More than I could possibly read. I pick a few and write about them, put a very few others on the shelf, to be perused at my leisure, someday.
I have written, probably, more books for children than any other writer, from story-books to plays, and can claim to know more about interesting children than most.
How much of a book review is about the reviewer? Sometimes it's mostly about the reviewer!
I've developed a great reputation for wisdom by ordering more books than I ever had time to read, and reading more books, by far, than I learned anything useful from, except, of course, that some very tedious gentlemen have written books.
There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
The nightmare reviewer is the reviewer who has some sort of agenda that precludes him or her responding sincerely to the book. Often, that agenda is seeming clever and/or taking someone who has received more than her fair share of attention down a notch.
There is no such thing as a moral or an immoral book. Books are well written, or badly written.
A lot of the books that have been written about Silicon Valley are really good. Michael Malone's books are incredible. I think his 'Infinite Loop' is the best book that's been written about Apple.
The fact remains that books that really put gay people in the center, and especially books that do so in a way that is sexually explicit, tend not to get a great deal of mainstream attention: they don't tend to sell well, and they don't tend to win major awards. This makes the occasional exception, like Alan Hollinghurst, all the more remarkable.
I have also written a book about the Giving of the Torah, and a book on the Days of Awe, and a book on the books of Israel that have been written since the day the Torah was given to Israel.
I expected a lot of flak over my new book, '50 Things Liberals Love to Hate' from, well, liberals. It's not a big shock that the kind of liberals I skewer in the book - the radical, Che Guevara-loving type - have posted scathing reviews at Amazon and written nasty e-mails and voiced opposition to a book they haven't actually read.
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