A Quote by Tibor Kalman
If someone is going to permit me to make a publication that is politically and culturally progressive and not tell me to put their favorite movie stars on the cover, if I get to do what I want in an honest way - as I did in the beginning at 'Colors' - then I'm going to do it.
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In the beginning of Audioslave, I was very honest. I said, 'We make great albums and write great albums - but don't be under the impression I'm going to be a lyricist that writes anything other than what strikes me as inspiring in the moment.' The lyrics weren't going to be focused politically.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
You might be someone's favorite, but you might not be someone else's favorite. I will tell you that there was a [casting notice] that said "Tracee Ellis Ross type," but [the producers] didn't want to see me. I've been in this industry long enough to know that even if someone wants to promise me something, it doesn't mean that it's going to happen. There are so many things at play. But it was flattering and exciting.
When you sit with people you love, if you say something stupid, they call you on it - because they're honest with you and they're making you better. That's what we're as couches going to have here with our players. We're going to have an honest respect for one another, to make everyone maximize the potential they have. I expect the players to listen to me, and I'm going to listen to them. We've got to make each other better, and it's the way to create safety, because the players know you've got their backs. When you tell a player what you want, he will try to please you.
It isn't really important to decide when you are very young just exactly what you want to become when you grow up. It is much more important to decide on the way you want to live. If you are going to be honest with yourself and honest with your friends, if you are going to get involved in causes which are good for others, not only for yourselves, then it seems to me that that is sufficient, and maybe what you will be is only a matter of chance.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
I know what God did for me. I know that He is my way out and my way in. He's my way out of all this havoc and my way into paradise. He suffered for me and for everybody listening. God loves us so much. He tried a lot of things to get our attention. He tried a lot of things to get us back to Him. So He said, "I'll tell you what. I'm going to make it real simple for you. I'm going to send my Son. He's going to take on all your iniquities and all your sins. He's gonna die in your place so you can have everlasting life. All you've got to do is accept that.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
My parents knew that I did King-Cat, but honestly my mom didn't want to see a lot of it. She would tell me, "I don't want to know any of what's really going on." Nowadays, when I put out a new issue, my mom will say, "Is there anything in there that will make me upset?" So I have to sit down and screen it.
I resent limitations. I'm going to be this way for a while, and then the funny side of me is going to come out. Slowly, people are going to realize they're seeing a completely honest evolution of human life.
Obviously people's feelings are going to get hurt when you use certain words, but you can't outlaw words. They're really the history of our culture. They tell you what's going on. When you make words politically incorrect you're taking all the poetry out of the language. I'm pro anybody living their lives the way they want to live, sexually and otherwise; and I'm anti any kind of language repression.
The reality is the only place a company's culture is going to start and end is at the beginning of that company. And it always starts with the founders. So if you can't create an environment of founders and founding employees who are going to represent the company you want, then you are never going to get there. You have to look at your own network and find what you are missing. So if you don't have a female or someone who has an international perspective or a person with a bio degree, but those perspectives matter to the firm or product you want to create, then it's never going to work out.
Sadly when I want someone to hold me and tell me everything is going to be alright, I have no one. I miss you so much and I wish there was someone to love me when I am down.
Nobody is going to tell me that I can't do three games in a week. No one is going to tell me that I can't do it well. I'm going to work really hard at it. I get bored if I don't have 10,000 things on my plate.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
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