A Quote by Tiesto
The best clubs in the world are always the clubs where you have a variety of people. Like, you have the crazy people, you have the nicely dressed people, you have the office people, you have the regular guys - that makes it fun.
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I started out in clubs, and I've always liked clubs. I like theaters because people are there for the show.
I've gone to normal clubs, straight clubs, and I've gone to gay clubs to party with my friends and fans. There's no difference. I have nothing to prove. I'm very comfortable in my own skin, and I'm thankful to have as many close gay friends as I have, people who have been so supportive in my life and have always been there for me.
Meeting up with Paris and Paris was such a highlight in Greece. Dancing at the clubs was a blast. There are just certain people you know you'll always have fun with, and Paris Hilton is definitely one of those people.
Many clubs wanted to know when I was leaving Inter, and Liverpool was one of those clubs, so people were surprised I chose Galatasaray.
For a while I was a completely unknown artist with no fan base and no draw in the clubs. The only people that would give me a shot were the gay clubs. Gay clubs were so open to me coming in and trying things out.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
It's about time that people forget that image of strip clubs as seedy places...Rather, today's clubs are capital-intensive female-empowerment zones.
I am telling you, Lebanon was fun. I played for 5,000 people in a sold-out venue. The clubs there don't even open until 4 A.M. If a bomb goes off, people don't get excited. They live every day like it's their last because it could possibly be.
I would love to be able to play anywhere, but to me the sweet spot is clubs and theaters, just because I feel like you lean in to tell a joke. You don't back up. Comedy lives in that area. I've played amphitheaters, big clubs, and pool halls, and the most fun rooms hold anywhere from 500 to 2,000 people. That intimacy is where comedy really lives.
Now we know everything about golf equipment. A player doesn't have to know diddly about golf clubs, because we know what a golf club can do and how it can fit to you. I hate to harp on my era because people don't like that, but 30 years back was so different. I didn't have maxed-out clubs. The clubs now are amazing.
In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.
What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
There are these showcase clubs where 14 guys will go on in a row and people are laughing at everything, and I'm like - 'I can't laugh that much. That's so weird to me.'
I never like the TV or movie Harvard characters. The fact of the matter is that most people who go to Harvard went to public schools and weren't in final clubs. I didn't even know that final clubs existed until I was a senior.
I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.
They do a heck of a job with the PGA professionals around the country and taking care of the clubs and country clubs and everything else, but when it comes to understanding the guys out here on Tour and everything else, I don't think they get it because they're not out here on a regular basis.
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