A Quote by Tiesto

I love to produce a track and then play it for the crowd; that's the biggest kick for me! — © Tiesto
I love to produce a track and then play it for the crowd; that's the biggest kick for me!
I don't use a Beatmap; I don't use any click track. Any time I count off, it's just in my heart. Sometimes I'll go off the feel of a crowd, like if they way they're bouncing is a little quicker than the song, I might kick up the tempo a little bit. I see where the crowd is at. It's nothing drastic, but all the tempos are from my internal clock.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
If I doubt whether a track works, I'm just going to play the instrumental version in my set and judge where the crowd takes it.
I have tried to teach people there are three kicks in every dollar: one, when you make it; two, when you have it. The third kick it when you give it away - and it is the biggest kick of all.
If I love myself I will express that love in my interactions with you, and then I am being impeccable with the word, because that action will produce a like reaction. If I love you, then you will love me. If I insult you, you will insult me. If I have gratitude for you , you will have gratitude for me. If I'm selfish with you, you will be selfish with me.
I am strong, the crowd makes me even stronger when they are on fire, I love to be with them, they give me focus so I just relax and play.
I'd love to see Will Ferrell play me in a spoof track cycling movie.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I'm one of these DJs who likes to play true to myself, so I'm not gonna be throwing in some rock bootleg mashup mix of some record to get a reaction. Sometimes it does amaze me, you go to festivals and DJs think, "Oh, I need to play big crowd-pleasing records." You don't need to spoon-feed the crowd.
I love to play for Pittsburgh. If they can't afford me, then I'd love to play in L.A. or New York.
I never let track define me. That's something that's really important to me. That's what I do and it's what I love, but I think by having other things I'm passionate about and interested in, it helped me to come back. It helped me to have renewed love for the sport by being able to step away and then come back.
The biggest kick is reading something new and exciting and then getting other people to share your enthusiasm. Beyond all the cant and hypocrisy in publishing, that's what it's all about.
My mind was always set on joining Manchester United. How can you not go to United? I don’t play for money. I play for glory and winning championships. I’m happy here. I hear people complain about the weather, there’s nothing to do and the food. But, for me, it’s not like that. I play for a club I love, the biggest club, and everything else doesn’t matter.
I train with track athletes, which is weird for bobsledders. I love training with track athletes because they help me work on my speed, and they give me something to cheer for during the Summer Olympics.
I love short track. I competed in short track, I was a world champion in 1986 but at that point in time it wasn't in the Olympic Games so I moved into long track. Short track is a blast to skate and it's a blast to watch.
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