A Quote by Tiffanie DeBartolo

That's the only way I could describe the music. It was the sonic equivalent of flight — © Tiffanie DeBartolo
That's the only way I could describe the music. It was the sonic equivalent of flight
The music defied classification. If I had been writing a review of the show, I would have labeled it progressive, guitar-driven rock ’n’ roll. But the guitars made sounds guitars didn’t always make. Symphonic sounds. Sacred sounds. The music dug in so deep you didn’t hear it so much as feel it, reminding me of a dream I used to have when I was a kid, where I would be standing on a street corner, I would jump into the air, flap my arms, and soar up into the sky. That’s the only way I could describe the music. It was the sonic equivalent of flight.
I woke up in London one morning in the middle of an adrenaline surge, and I was just lying there - the sun was coming up - trying to think of the best way to describe this feeling, and 'pang' was the only word I could really use to describe it.
It's about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story, and all kinds of sonic goodness - sonic goodies.
I could only do music if I could do it the way I could do it. That's what be making me stop, I don't wanna do music in the box.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
It's very hard to take a character out of nothing, and put a hook on it, especially because it's only sonic. Futurama is a sonic world, and everyone's attention is focused on that sound and that little cartoon image. You can change it.
I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.
I guess the only way I could describe myself is someone that lives right in the present.
I would describe my style for those who haven't listened to my music as definitely..up-tempo. I try to have something nice, something people could dance to. It's kind of hard though to describe my sound in one record because I think when I approach music I try to do something different every day. Do a different vibe.
My influences were mostly gospel. So I was playing my twisted Jewish equivalent of gospel music over his twisted equivalent of rock and roll music. And it was a very excellent marriage.
You or I never buy an Intel product explicitly, and yet their sonic logo is far better known and more powerful than its visual equivalent. It's probably worth hundreds of millions of dollars.
My people had used music to soothe slavery's torment or to propitiate God, or to describe the sweetness of love and the distress of lovelessness, but I knew no race could sing and dance its way to freedom.
I conceived of a concept, a project, a band. The Tide. The Tide, acting as a sonic exemplar of flow and fluidity. The way of things. The way of nature. Guitars, rock and surf music, psychedelia, transcendence from everyday bourgeois consciousness.
Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things - all that to me is jazz just as much as the music we play.
I went to see Alison Krauss and Union Station at Disney Hall and I would say it was one of the most astonishing sonic experiences I have had. It's an enormous room that's acoustically perfect. My interpretation of receiving music as a layman is that the way the music kind of settled on me in that room was perfection.
When Sonic Youth writes music, we write everything in a very communal way. It doesn't matter who brought something in initially; it all gets transformed by the band.
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