A Quote by Tiffany Darwish
The first album, I'd had some input, but I was 14 years old then, and I really didn't know what I was talking about.
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When I was 14 years old, I was talking about much more mature things because of the writers that I had at the time. My first album was tied into what the culture was at that moment, which was Jodeci, Al B. Sure, Puff, The Hitmen. I reaped the benefits of being part of Bad Boy's movement. That was my introduction.
I was interested in music since I was 14 years old. What really got me started was the first Led Zeppelin album... absolutely.
I'm 14 years in the game, ... There's some kids that weren't even born when my first album came out. I wanted to draw a timeline between my old stuff and my new stuff and bridge it to where there's a level of continuity.
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
My first album was mainly dealing with street issues, and it was 'coded': it was called 'Reasonable Doubt.' So the things I was talking about... I was talking about in slang, and it was something that people in the music business was not really privy to. They didn't understand totally what I was saying or what I was talking about.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
You know, your first album is about really amazing things. Your first album is always about coming of age, first love, first loss, usually you suffer a first loss of someone that you love to death, even, you know, really big life lessons, things you learn from your parents' divorce or from the travels that you took.
I remember when I made my first album, I was 32 or 33 years old and I thought I was way too old then.
I had some things I had to fix. It took me 14 years to do it. But it was never really fun back in the day to work with directors who were a lot older and were like authoritarian and talking to you like that.
I had to have experience, you know what I mean? Because I've been doing this since I was 14... I couldn't write about anything at 14. I had to live some life. I definitely lived some life.
The hardest thing about writing my second album is that I had 20 years to write my first album.
My breakdancing crew used to go to the mall and squat a piece of cardboard there; we had our jam box, and I'd spin on my head and make about forty bucks a day, which was pretty good back then. I was only 14 years old, so I would chase the girls around the mall and eat some pizza and have some change left over.
I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.
There were really a bunch of old, old magic hobbyists at the time, some of them who actually had known [Harry] Houdini. You had to be 14 to go to these meetings, and he snuck me in at 12. It was glorious.
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