A Quote by Tiffany Foxx

I always did poetry, and [rap music is] pretty much hip-hop melody with poems. — © Tiffany Foxx
I always did poetry, and [rap music is] pretty much hip-hop melody with poems.
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I grew up on rap and hip-hop and fell into dance music. Hip-hop died down, and I moved more into dance music, disco and house. It feels very natural. My rhythm growing up on hip-hop and R&B was cool, fresh, and I feel comfortable with it.
Prince, Bootsy Collins, Earth Wind & Fire and Parliament all had albums that sound different. I wanted to show, as a hip-hop producer, I'm one of those that can do anything, because I was raised on so much music aside from rap and hip-hop.
I grew up listening to a lot of rap music. My dad's a DJ from Brooklyn, and he's a very soulful guy, so he always spun a lot of hip-hop, and that's where I get a lot of my hip-hop influence.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
I love pop music just as much as I like rap music, or ill-ass hip-hop music, or rock music.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
Don't get me wrong - we love our hip-hop, but in its own context. Rap has no place in our music. Is what we do rhythmic? Sure. Is it syncopated? Certainly. But our music has nothing to do with hip-hop.
Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.
I'm actually a huge fan of hip-hop. I like hip-hop music. I love rap. I like cabaret music, as well. I just love live music and bands.
I always wrote poems when I was a little girl, and I loved hip hop music, and I kind of just started writing poems over beats, and that's when I started rapping.
The Temple of Hip-Hop makes sure that we don't just approach hip-hop just through music or through rap. We approach the totality of hip-hop.
The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
I like hip-hop personally. It is a genre I am very attached to and have been listening to all my life. But I have always engaged with foreign artistes, never with mainstream Indian hip-hop rap space.
This site uses cookies to ensure you get the best experience. More info...
Got it!