A Quote by Tiffany Haddish

I've studied Charlie Chaplin for years. I've studied Lucille Ball, Carol Burnett, all of them. I don't play around. This is not a game. — © Tiffany Haddish
I've studied Charlie Chaplin for years. I've studied Lucille Ball, Carol Burnett, all of them. I don't play around. This is not a game.
The reason I do what I do is because I was influenced by Steve Martin, by Woody Allen, by Bob Newhart, by Carol Burnett, by Lucille Ball.
So many people: Lucille Ball is the earliest incarnation of a woman I thought was funny, Joan Rivers, Roseanne, Carol Burnett, Gilda Radnor, down to current times, where you have Amy Poehler, Tina Fey, and Kristen Wiig.
Buffett found it 'extraordinary' that academics studied such things. They studied what was measurable, rather than what was meaningful. 'As a friend [Charlie Munger] said, to a man with a hammer, everything looks like a nail.
I used humor to avoid being picked on as a kid. Or I would try and make my parents laugh, so I wouldn't get in trouble. But as a kid, I would watch Flip Wilson and I would memorize his whole routine, listen to Bill Cosby's records constantly, Steve Martin, Carol Burnett, Lucille Ball. I just drank that stuff up and loved it.
I never had any social life, just played the piano and studied, studied, studied.
Most people don't deserve to be spoken of in the same breath as Chaplin or Lucille Ball.
Michael Jackson loved studying the greats. He felt that they could only add to what he did naturally. He was absolutely right. I mean, he studied James Brown for years when he was 10 years old, because the Jackson 5 would open for James. He studied him. He studied Fred Astaire. He loved to watch Fred's movies.
I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.
I studied economics. I studied industrial engineering. It wasn't until later, when I was around 26, that I really decided to go to film school.
I studied adab for thirty years and I studied knowledge for twenty years.
I consider myself a 3-D philosopher. I am not a designer at all. I studied aerodynamics, I studied philosophy, I studied sculpture. High technology on one side, and on the other side, art.
I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts.
What I loved about wrestling was just being foolish, so I studied clown. I studied clown. I studied the art of clown. I actually did my thesis on clown.
I went to a college in New York called New Paltz. I studied theater there for four years. I also studied privately in NYC with a teacher named Robert X. Modica.
I worked at chemistry and developing a style of play on both sides of the ball and studied success and winning.
My first contact with game theory was a popular article in 'Fortune Magazine' which I read in my last high school year. I was immediately attracted to the subject matter, and when I studied mathematics, I found the fundamental book by von Neumann and Morgenstern in the library and studied it.
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