A Quote by Tiffany Hwang

I think I wanted my solo debut to be very unpredictable. — © Tiffany Hwang
I think I wanted my solo debut to be very unpredictable.
I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
If I wished to do something, even if I couldn't find anyone who wanted to make the effort with me, I would go out solo climbing. I did find solo climbing very challenging and a little frightening. You knew that you were completely on your own, and you had to overcome all the problems and possible dangers.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
I think Thespis just wanted to be a solo player, you know?
I remember a song I did called 'If the Good Die Young' - I wanted to have a lead guitar solo on there, and the label flipped out! It was too rock and roll. They made us go back and put fiddle on the solo.
When I perform as a solo, I think a lot about what I always wanted to do but have not done yet.
When I was about 15 I had already been recording on my four track in my room, but I couldn't find anyone in my town to be in a band with me. I was in a band very briefly with a bunch of guys and they kicked me out because they wanted to play grindcore. I think they didn't think I could tread hard enough or something. So I started playing solo.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
In an unpredictable and unpleasant world it was both unusual and very pleasant to hear what I wanted to hear.
Junior told me once that he was very impressed by Jimi Hendrix, by the way he was very wild, and yet he was very controlled. He knew where everything was going in a solo, and he (Junior), I think tries for the same effect, and I think he hits it virtually every time.
I have always been a fan of the Guillemots. Fyfe Dangerfield, the lead singer, has recently produced a debut solo album called 'Fly Yellow Moon'; he has the most amazing voice ever.
It was one of the most exciting, perfect evenings of my life, my solo debut at Carnegie Hall. And knowing we were all there to raise money for Gay Men's Health Crisis made the evening an extraordinary experience.
I am as curious about my daughter's acting debut as the rest of the world. I think Alia has got the best possible debut under the biggest banner. But it's not going to be easy for her to go from the first to the second film smoothly.
This site uses cookies to ensure you get the best experience. More info...
Got it!