A Quote by Tiffeny Milbrett
I am somebody who... - I'm not saying I'm perfect, but I need that freedom, that ability to make mistakes out there. Because there's a fine line between making a mistake or being brilliant.
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I sometimes react to making a mistake as if I have betrayed myself. My fear of making a mistake seems to be based on the hidden assumption that I am potentially perfect and that if I can just be very careful I will not fall from heaven. But a 'mistake' is a declaration of the way I am, a jolt to the way I intend, a reminder I am not dealing with the facts. When I have listened to my mistakes I have grown.
It does, Tennyson, because there’s a fine line between confidence and arrogance. There’s a fine line between being assertive and being a bully. And you’re on the wrong side of both lines.
When private industry makes a mistake, it gets corrected and goes away. As governments make mistakes, it gets bigger, bigger and bigger and they make more, more and more because as they run out of money, they just ask for more and so they get rewarded for making mistakes. In the meantime that is exactly what we are doing by subsidizing companies which are failing, we have a reverse Darwinism, we've got survival of the unfittest, the companies and people that have made terrible mistakes are being rewarded and other people are being punished and being taxed.
It was my mistake in the first days of the electoral campaign. I understand the mistake. I don't accept that people who say, "Oh, politicians have to refuse to admit the mistakes." No. I am an, I am a man. I can make some mistakes.
I do what the manager asks of me to the best of my ability. I'm not saying I'm brilliant or saying I'm perfect.
You have to have the kind of personality where you're resilient and you can get up and keep moving and learn what there is. What I tell my employees is, 'I want you to make mistakes. If you're not making mistakes, you're not trying hard enough. But, when we make a mistake, let's all study it. Let's all learn from it. After that, we want to make different mistakes. We don't want to keep making the same mistakes.'
To create guilt, all that you need is a very simple thing: start calling mistakes, errors - sins. They are simply mistakes, human. Now, if somebody commits a mistake in mathematics - two plus two, and he concludes it makes five - you don`t say he has committed a sin. He is unalert, he is not paying attention to what he is doing. He is unprepared, he has not done his homework. He is certainly committing a mistake, but a mistake is not a sin. It can be corrected. A mistake does not make him feel guilty. At the most it makes him feel foolish.
There's a fine line between giving the sense of freedom and being too free.
To the extent that sacrifices need to be made, shouldn't the people who've made out like bandits this past generation be first in line? The problem with getting out of the slump is that we need to spend more. It's not that somebody needs to spend less. We have idle workers who have the skills and the willingness to work. We have idle factories. Dealing with this is not about saying somebody needs to suffer. It's saying that we need to be prepared to open the taps.
As an artist, what do you think the biggest mistake you can make is? My vote for the biggest mistake is being afraid of making mistakes.
... I don't think anybody should avoid mistakes. If it is within their nature to make certain mistakes, I think they should make them, make the mistakes and find out what the cost of the mistake is, rather than to constantly keep avoiding it, and never really knowing exactly what the experience of it is, what the cost of it is, you know, and all the other facets of the mistake. I don't think that mistakes are that bad. I think that they should try and not do destructive things, but I don't think that a mistake is that serious a thing that one should be told what to do to avoid it.
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it.'
I've been very lucky in the freedom that I've been given. Every artist needs two types of freedom: You need the freedom to - the freedom to come up with an idea or treatment - and then you need the other half of the freedom, and that's freedom from - somebody saying, 'This is great. This is how I want you to do it'.
Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.
You have to have a cultural ethic that allows for making mistakes. It cannot be that just because you make mistakes, you're out. You have to make mistakes in order to innovate.
I think there's a very fine line on guys saying stuff because you don't want to be disrespectful. That's not the point of it. But you also do need to - there's nothing wrong with saying what's on your mind.
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