France was very opposite of the show-business experience I'd been living; I was anonymous and alone. I wore no makeup, wore the same clothes every day. And I wrote and wrote and wrote.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I wrote 'Show Me the Way' in the morning and wrote 'Baby, I Love Your Way' in the afternoon of the same day. I've been trying to figure out what I ate for breakfast that morning ever since!
I wrote for magazines. I wrote adventure stuff, I wrote for the 'National Enquirer,' I wrote advertising copy for cemeteries.
I think I might prefer women without makeup. Though I don't really know, because I am not good at identifying makeup. I once wrote in the chat, a long time ago, that my wife wore no mascara. She later informed me dryly that she has worn mascara every day that I ever knew her. Or maybe eye liner. I forget. Which is the one you always wear, girls.
Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now.
I wrote a play for Miu Miu called 'The Moment Is the Present, That's Why It's Called a Gift.' Instead of doing a catwalk show, all the actors wore the clothes and performed a 20-minute play.
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!
For 30 years I wrote for newspapers and magazines, wrote books on the Dallas Cowboys' dynasties of the '70s and '90s, wrote about Michael Jordan in Chicago and Barry Bonds in the Bay Area, even wrote columns for ESPN.com from 2004 to 2006.
He Wrote, Are you OK? I told him, My eyes are crummy. He wrote, But are you OK? I told him, That's a very complicated question. He wrote, That's a very simple answer. I asked, Are you OK? He wrote, Some mornings I wake up feeling grateful.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
Read this and thought of you: Through joy and through sorrow, I wrote. Through hunger and through thirst, I wrote. Through good report and through ill report, I wrote. Through sunshine and through moonshine, I wrote. What I wrote it is unnecessary to say. ~ Edgar Allen Poe
My dad was a mechanic, and I have great style memories of him. He wore, every single day: a blue chambray shirt, Levi's 501s, and Red Wing boots. And that certainly wasn't fashionable at the time; it was basically the opposite. And he wore these horn rim glasses that were very Sol Moscot.
I always wrote. I wrote every day. I don't think I could have written 'Just Kids' had I not spent all of the '80s developing my craft as a writer.
We wrote the songs we wrote - we took from our own experiences, melded it together, and wrote what became 'Appetite For Destruction.'