A Quote by Tift Merritt
My point of view as a writer has to be a lot more ego-less than just like being some performer on stage with a hairdo.
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You know, a lot of people have an instinct to downplay the fact that they are performing and be, like, 'There is no theatre here. This is just me playing the songs.' At some point I just realised how much better it could be if you weren't shy about being a performer.
I've learned how to be a better performer on stage and interact with the fans, make it feel like a collective experience more than just me singing songs on a stage and feeling really detached.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
From the point of view of being in the public radar, comedians have less problems than other actors. Action movie stars like Stallone or Schwarzenegger usually attract the more aggressive fans.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
I suppose frogs pay no attention to being frogs. They take it for granted. What interests a frog are differences among frogs. From our point of view they are more or less the same, from their point of view they are all radically different.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
Ego could be defined as whatever covers up basic goodness. From an experiential point of view, what is ego covering up? It's covering up our experience of just being here, just fully being where we are, so that we can relate with the immediacy of our experience. Egolessness is a state of mind that has complete confidence in the sacredness of the world. It is unconditional well being, unconditional joy that includes all the different qualities of our experience.
'Swallow My Gift' is all about music being its own reward. I don't do it to become more famous; I don't do it to make money. I don't do it from an ego-driven point of view.
It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.
Characters on stage should be flat, like clothes in a fashion show: what you get should be no more than what you see. Psychological realism is repulsive, because it allows us to escape unpalatable reality by taking shelter in the “luxuriousness” of personality, losing ourselves in the depth of individual character. The writer's task is to block this manoeuvre, to chase us off to a point from which we can view the horror with a dispassionate eye.
In my view, philosophers have shown a great deal more respect for the first-person point of view than it deserves. There's a lot of empirical work on the various psychological mechanisms by way of which the first-person point of view is produced, and, when we understand this, I believe, we can stop romanticising and mythologising the first-person perspective.
I feel like people who criticize authors for being self-promotional fail to recognize that a lot of times their ability to continue writing hinges on sales and recognition. Some of it is for fun, some of it is for ego, but a lot of it is just writers trying to ensure longevity to their career.
Being a stage performer for me, was - to be in front of people was just something that just came very naturally to me. And I love to sing. I love being on stage and I love making people happy, so you just don't walk away from something like that.
I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
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