A Quote by Tig Notaro
I'm now a pretty good mix of my mother and my stepfather because I'm in general pretty mellow. I'm not hyper-emotional. But there's also this side of me - my mother was an artist and very funny and a dancer and very wild and into fashion. My stepfather traveled a lot, and I kind of took on a role of parenting my mother a lot of times, because she was pretty hard to handle. A bit of a pistol.
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A lot of people say that Eleanor Roosevelt wasn't a good mother. And there are two pieces to that story. One is, when they were very young, she was not a good mother. She was an unhappy mother. She was an unhappy wife. She had never known what it was to be a good mother. She didn't have a good mother of her own. And so there's a kind of parenting that doesn't happen.
My mother and stepfather were in Vaudeville. And my stepfather was an alcoholic. It was a lot of roller coaster times. But it's all I knew. I think they did the best they could under the circumstances, with me and all the family.
I did go on safari in Kenya when I was 17, with my mother, stepfather and little brother, and I kept a careful journal of the experience that was very helpful in terms of my sensory impressions of Africa. I have traveled quite a bit at distinct times in my life, though now that I have kids I've settled down.
When ladies used to come to me in dreams, I said, 'Pretty mother, pretty mother.' But when at last she really came, I shot her.
My mother and stepfather were documentary filmmakers and, of course, had a very healthy Scandinavian mentality. When it came to cinema, my mother was very obsessed with the French New Wave. That was her generation.
My mother and stepfather were married 43 years, so I have watched a long marriage. I feel like I had a very good role model for that. And, you know, it's just a number.
My mom died when I was 22. My stepfather, who I loved like a father, pretty quickly got involved with another woman. Suddenly there was another woman sleeping in my mother's bed, and it was very difficult. Their relationship brought up my profound loss, and the truth was that my family would never be the same again.
Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.
I'm one of five sisters. I'm the younger of twins, and we're the youngest of five girls, and we've always been very close. We were pretty much a gang. I take after my mother a lot in terms of personality and character. She was very positive; always looked on the bright side of things. She had a tough time of it with my dad but did her best.
I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
As a late teenager, I had some puppy fat on me, and I noticed that I could put on weight. I have always been very disciplined because my mother was very beautiful, a very pretty woman, but she was immobilised by obesity. At her biggest, she was about 17 stone. And she was always on some sort of fad diet.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
My favorite thing is when I go back and my mother cooks for me. Because it just throws me back the same flavor. And I try to modify things: I say, "Why don't you do this and that?" My mother is older, but she cooks a lot, and she doesn't want to change anything. She's a very good cook, and my grandmother was an amazing cook.
My daughter Gabby very kindly once said that she thinks I was a better mother because I was doing a job I loved. I now think guilt is a universal part of being a mother. I used to think it was Jewish-mother guilt but now I think it is working-mother guilt.
My mother was a very talented artist. When she was in jail, we'd write letters back and forth; that was pretty much the only form of communication we had.
I have a stepfather who isn't around just because he wants to be with my mother and sisters. There's more to it. He's around for the money. He's proven that in a lot of ways. And my mom loves him. And that's not wrong. But when it interferes with my career and my business and becomes a threat to me, there's a problem.
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