A Quote by Tig Notaro

It's not that I hate all of my material - I think it was good. I liked it. I just don't ever want to hear it. — © Tig Notaro
It's not that I hate all of my material - I think it was good. I liked it. I just don't ever want to hear it.
I think it's easier than ever to hear only what you want to hear. That doesn't make a good citizen.
The bottom line is fans just want to hear a good song. Some people will look underneath to see who wrote it, but they just want to hear a good song. And if they don't hear it, they're not going to buy it just because you wrote it.
I really hate Nicki Minaj, but I don't know why I hate her. I just hate her face, you know? So I went and just looked at some Nicki Minaj videos so I would have a leg to stand on if I ever met someone who liked her.
I think people just want to hear good songs and I just want to keep getting better as a writer so that I can deliver good songs.
The left's propulsion is hate, and they have to have an outlet for the hate. They hate so much. They hate many elements of America. They hate people that don't think the way they do. It's not just that they disagree, they hate, and this energy requires action. People on the right, they don't hate anybody. We want everybody to get along, when you get right down to it. We're Rodney King types, actually.
I don't care if people like Trump or hate him, if they voted for him or not; people just want to have a good time. They don't want to hear about immigration or whatever on a record or at a show.
I just want to be as good as I can be with any opponent I have and hear everyone say 'that was her best match ever.'
I just finished a novel called 'Exult,' by Joe Quirk, last night. It's about hang gliding. I liked his first book, too, 'The Ultimate Rush.' I now know that I never, ever, ever want to go hang gliding, so that's good.
I would just hear piano players and I would hear music, and just think - I don't just want to sit here and passively listen; I want to get inside it.
I just really try to stay focused on what the material is wanting to do. My basic assumption is that no one will ever listen to it anyway. It's fidelity to the material. That's my contract: It's me and the material. And if it connects with other people, I'm thrilled.
I'm coming into places with some people who just want to hear what I did before, with some people who want to hear me with a band, but I am just at the moment sticking to my guns and saying, 'You know what? I want you just to hear this for a minute. I want it to be in the context of me and a guitar.'
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
Sometimes I just think that there are more things to be said to make the audience understand what I'm trying to do more. When I'm singing, I don't want you to just hear the melody. I want you to relive the story, because most of the songs have pretty good storytelling.
Just do what you want, I don't think you should ever... pointers and tips from people is great, and it's good and I don't think you should ever shun down advice, but if you feel something's wrong, then you don't do it. And that's what I'd say.
I don't want people who just tell me what they think I want to hear, because that doesn't do me any good.
I try to ask the questions I think fans want to hear and just have a good, relaxed conversation.
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