A Quote by Tilda Swinton

I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark. — © Tilda Swinton
I think there's a dishonorable tradition in Hollywood to give the idea, particularly to children, that evil characters are dark.
I have the belief that truly evil people, it's a genetic evil. I only have the experience of exploring the landscape of some of the characters I've played that people have labeled as evil; I don't think they're evil.
I think Will Ferrell is probably completely evil, the darkest of them all. He is known among comics as the dark knight. An evil, evil man and a dangerous soul.
It is dishonorable to say one thing and think another; how much more dishonorable to write one thing and think another.
Some people give themselves over to their most evil desires, and those people becomes evil. But in general, it's reductive to think of evil as something foreign and separate from the rest of us. Evil is part of everyone. We all have the capacity to commit evil acts.
All who do evil and dishonorable things do them against their will.
Have you ever asked yourself why one person is honorable and another dishonorable; why one is honest, another dishonest; why one is moral, another immoral? Most individuals do not intend to be dishonest, dishonorable, or immoral. They seem to allow their characters to erode by a series of rationalizations, lies, and compromises. Then when grave temptation presents itself, they haven't the strength of character to do what they know to be right.
If I were to remake a movie, I'd love to remake Halloween 3 Season of the Witch because even though it's a very flawed film, at its core is a brilliant idea: An evil toymaker is set to kill all the children of the world on Halloween night - and I think that's absolutely fantastic. So whoever has the rights can give me a call.
People always tell me my books are so dark; I don't think they're particularly dark. I'm not like that. I'm quite a cheerful soul.
I never want to make any characters one-dimensional, especially as women can often be portrayed as the dark one or the evil one.
The value for me being in a mainline tradition is history and memory, which is not just Christian tradition but denominational tradition, and characters, you know, with real distinct flavors of ways to be Christian.
The problem of good and evil is not the problem of good and evil, but only the problem of evil. In opposition to good there are evil characters, but there are no good characters in opposition to evil. Evil is arguable, but good is not. Therefore the Devil always wins the argument.
I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author.
History tells us more than we want to know about what is wrong with man, and we can hardly turn a page in the daily press without learning the specific time, place, and name of evil. But perhaps the most pervasive evil of all rarely appears in the news. This evil, the waste of human potential, is particularly painful to recognize for it strikes our parents and children, our friends and brothers, ourselves.
I don't have any special approach for playing dark characters. That's because I never looked at them as dark characters per se. For me, they were real people.
I enjoy playing villains - I'm very proud that I belong to a very honorable tradition of British actors who come to Hollywood to play the bad guys. At some point in American film, I think there was the idea that the British accent had a tone to it that's a little bit naughty.
I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
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