A Quote by Tilda Swinton

There's no need there to sit with the filmmaker for 11 years to develop the script, or go round the world raising money. — © Tilda Swinton
There's no need there to sit with the filmmaker for 11 years to develop the script, or go round the world raising money.
And the seasons they go 'round and 'round And the painted ponies go up and down We're captive on the carousel of time We can't return we can only look behind From where we came And go round and round and round In the circle game.
I went professional with my partner, Erin Boag, 11 years ago, and we had success competing round the world, but appearing on 'Strictly' has changed my life.
I used to sit on the Circle Line and go 'round and 'round and write.
The world turns on a dime, the same now as it always has — which is to say, money makes the world go 'round. It's also what makes the world go spinning out of control.
If you want truth to go round the world you must hire an express train to pull it; but if you want a lie to go round the world, it will fly: it is as light as a feather, and a breath will carry it. It is well said in the old proverb, 'a lie will go round the world while truth is pulling its boots on'.
I used to have a blankie, and when my mom had to wash it, I would sit outside the dryer and watch it go round and round, and cry.
Money makes the world go round.
Nothing good happens after 11. If you can't get a date before 11 o'clock, you need to go home and you need to work on yourself.
I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.
As a filmmaker, if you want to write a script, all you need is some paper and a pen or a computer, that's it.
As footballers that's what we do when it comes to bonuses. we don't sit there and go 'yeah can I get £20million as a bonus.' You have to sit down, 'how much money does the club make, what's their reported loss.' You have to sit and go through it all and go OK, this is what you take, we feel that we should get that if we do this.
The work is different in the sense that I haven't had to travel round the world raising money, or work from the genesis of the project. But the collaboration feels clear always, it's sort of my drug, I'm in it for the conversation. The conversation's the most important part of it.
It is trust, more than money, that makes the world go round.
With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
Love makes the world go 'round but I'm pretty sure money has to do with it, too.
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