A Quote by Tilda Swinton

I made The War Zone when I had just given birth to twins, and my post-partum frame was very much on display there. — © Tilda Swinton
I made The War Zone when I had just given birth to twins, and my post-partum frame was very much on display there.
Last time I was in Canada Celine Dion had just given birth to identical twins. Which is quite an achievement given her age and face.
When I gave birth to my fourth child, I suffered from post partum hemorrhaging. I almost lost my life. I was lucky to be under the care of trained health care personnel. I started wondering then what was happening to women in rural villages.
I had this whole issue of doing a crime film in the 2010s. The genre's been mined very, very heavily. Post-Scorsese, post-Tarantino, post-Guy Ritchie, what do you do? I wasn't attracted to pulp so much as all of a sudden I had a pulp problem. I had to find a way to make this interesting, because there's a lot of crime films that come out on VOD every week, and a number of these star Nicolas Cage.
Post-partum depression is real and while I was told about it, I wasn't sure what to expect.
Seeing any war through the distortion of comedy is healthy. There is just too much absurdity and irony at play in a combat zone not to pay attention to it. At least that's how it struck me; others may have had an entirely different war experience.
Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
One concern I had while I was working actively in the intelligence community - being someone who had broad access, who was exposed to more reports than average individuals, who had a better understanding of the bigger picture - was that the post - World War II, post - Cold War directions of societies were either broadly authoritarian or [broadly] liberal or libertarian.
I've been to war. I've raised twins. If I had a choice, I'd rather go to war.
But the plans were on display…” “On display? I eventually had to go down to the cellar to find them.” “That’s the display department.” “With a flashlight.” “Ah, well, the lights had probably gone.” “So had the stairs.” “But look, you found the notice, didn’t you?” “Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.
I lived with my parents in Belarus, and I went to Russian kindergarten, which is where I learned Russian. Belarus had just become an independent country; there was no food in the supermarkets, so it looked very post-war, very Soviet.
Have a sense of pride in your motherland. Just as your mother has given birth to you, so too the land has given birth to you.
The pre-war empire had been sufficiently informal and sufficiently cheap for Parliament to claim authority over it without having to concern itself too much about what this authority entailed. The post-war empire necessitated a much greater investment in administrative machinery and military force. This build-up of control had to be paid for, either by British taxpayers or by their colonists.
It was mild monsters like these that made Jack the Ripper go after young women, she decided: who could tolerate yielding the world to someone who behaved as if she had given birth to the very world herself?
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