A Quote by Till Lindemann
It's just really efficient to work with a person who can do everything in the studio.
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Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
All I ever hoped for was freedom of choice and to not have to just do work because I needed to pay the bills. If you can, weave your way into a studio in a situation where it's supportive of the other work you wanna do. Also, there is caliber and weight in studio films, and I think the ideal is to get that balance right: Do a studio film, go away and do something that is smaller.
I'm actually a really shy person. I just really enjoy being in studio; I don't go out much.
Tax rates aren't everything with regard to incentives to work. I would probably work at a 100% tax rate next to a nude modeling studio. I'm joking, but you know what I'm saying. There's a lot more to it than just tax rates. It's economics that I do; I don't do nude modeling studio economics. People do respond to taxes.
I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
I'm never gonna go into a studio and work for a whole year non-stop. Just every day on my own in the studio working, it's just too damn hard.
One must, however, not just work hard. One must work smart. As the saying goes, the efficient person gets the job done right; the effective person gets the right job done.
In my own studio, I can just lock the door and record myself, do layers of vocals not knowing how they are going to turn out, and just scrap it if it doesn't work. It's my space. I'm running everything.
You know, seeing the analytics explosion in the NBA. It wasn't something I was really into in college but in the NBA everything is numbers and how you can be more efficient, so that led to me trying to make my body more efficient, and obviously Fitbit was at the top of the line for that so it made sense.
We're really lucky because we have a portable studio, which enables us to work wherever we like. There is some extra work involved in setting everything up, but you can find a lot of magic and inspiration in being free to go somewhere completely different.
Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
I always have days off before and after I go to the studio. That's really important for me that I know that I have days off after, 'cause then I can give my everything when I'm in the studio. I love being in the studio and being able to think, 'Okay, I'm not doing anything tomorrow.'
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
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