A Quote by Till Lindemann
In German, there are only so many things you can write about.
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I find it hard to write really cool texts in German. At some point I had the feeling that it didn't work for me any more. So I'd rather not write any German songs at all than write uncool ones.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
He [Mencken] was an autodidact, with all the misplaced confidence and all the astonishing gaps that characterize that breed. Not many of us would venture to write a book about democracy without ever having read de Tocqueville, nor embark on a translation of Nietzsche with only a sketchy knowledge of German.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
Only a handful of Germans in the Reich had the slightest conception of the eternal and merciless struggle for the German language, German schools, and a German way of life. Only today, when the same deplorable misery is forced on many millions of Germans from the Reich, who under foreign rule dream of their common fatherland and strive, amid their longing, at least to preserve their holy right to their mother tongue, do wider circles understand what it means to be forced to fight for one's nationality.
More than once at TechCrunch, we made AOL extremely uncomfortable with things that we wrote. But they never ordered us to write or not write about something because they understood that not only would we not comply, we'd write a post about the whole thing.
As a German citizen, as a German professor, and as a political person, I hold it to be not only my right but also my moral duty to take part in the shaping of our German destiny, to expose and oppose obvious wrongs.
He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid.
Write about what really interests you, whether it is real things or imaginary things, and nothing else. (Notice this means that if you are interested only in writing you will never be a writer, because you will have nothing to write about...)
I've said many times that there only two things to write about: love and death. And when you have children, you remember that the world is full of sharp corners and dangerous things, and suddenly you have these small, soft creatures, which you love in almost painful way.
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
I write about what is getting to me at the time, about the things you need to talk about, but which would sound silly if you sat down and told them to your friend. I only write for myself, to get my emotions out. It's self-therapeutic.
There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.
So many bands write about the same s - -. It gets real boring after a while. I want to keep it fresh and sign about things like the birth of my daughter, about seeing the world- things that aren't always said in metal.
There are so many things and so many aspects to gay life that I've discovered and so many things to write about. I have a new life, and I have a new take on dance music because of that life.
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
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