A Quote by Tillie Olsen
Think about all that we've lost that has been said orally because nobody was taking it down. I feel very fortunate to live in a time where we have so many different voices. We have a much richer literature than we've ever had, and we can know America so much better.
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Most of my experiences have been positive. I know I live a very good life. I'm severely overpaid, but there are people who are much more overpaid than I am. I've been very lucky, and I know that, because I see guys all the time who are struggling and can't make a dime, and they're much better actors than me.
China was the most optimistic place I'd ever been. Everybody I met was pretty much convinced that their children would have it better than their parents had had it. It was like being in America in the 1950's, with this deep optimism about the future because everything was getting better, and that fascinated me.
I think if I had been a man, I would be richer. That hurts. But at the same time, I have to keep fighting and not think too much about "what if," because that doesn't lead you anywhere.
Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity -- an America all the richer for the many different and distinctive strands of which it is woven.
Today, when we live in a what is called Western democracy here... you're not taken seriously all the time. You can write what you want because nobody cares about it. But at that time, they cared very much about what you wrote, so that's an entirely different feeling.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
I believe that Trayvon Martin's life might well have been spared if many of us who care about racial justice had raised our voices much, much sooner and much, much more loudly about the routine stereotyping and profiling of young black men and boys.
I think it's much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers, and possible beliefs, and different degrees of uncertainty about different things, but I am not absolutely sure of anything. There are many things I don't know anything about, such as whether it means anything to ask "Why are we here?" I might think about it a little bit, and if I can't figure it out then I go on to something else. But I don't have to know an answer. I don't feel frightened by not knowing things, by being lost in the mysterious universe without having any purpose - which is the way it really is, as far as I can tell.
And yet this is farther than I've ever fell; You know me much too well. Funny it don't feel like we just met. It didn't take much time. Forever's more than crossed my mind, and we haven't even said 'I love you' yet.
I feel I'm better now than I ever have been. You learn so much as you're doing it. I'm watching tapes and I'll see things that get me annoyed and where I know I can improve. I understand better letting the crowd play more. I've always said it was important for me who I was working with, because I like to kid around a lot. But I've also learned to use my partner better. I'm feeling good. There's no reason to stop.
I had been coming to America very frequently for many, many years, so I had plenty of exposure - and maybe the best kind of exposure, because I think first impressions are very important. Maybe I notice stuff that is just subliminal to people who live here all the time.
I feel fortunate I have this amazing relationship with so many people in America, because I was in their homes at a very private time of day. They probably might have still had their robe on and their slippers and haven't made the beds.
I've done a lot of theater work that has been quite diverse. I feel very fortunate to have had many different people think of me in many different ways. So, as an actor that's all you - all I want is diversity. So far in film and television work I have done has not been as diverse, and I hope it grows to be.
I very much like writing about homosexual relations. I don't quite know why. Perhaps it's because I feel there's still so much to be said about them.
There's been an amazing backlash for the last decade in America: political correctness. In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been. But traditional Hollywood has been much more frightened than it ever was in the '70s about presenting things that could be perceived as politically incorrect.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
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