A Quote by Tillie Olsen

Not to have an audience is a kind of death. — © Tillie Olsen
Not to have an audience is a kind of death.
But death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man’s best friend; when man could endure life no longer, death came and set him free.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
I have absolutely no fear of death. From my near-death research and my personal experiences, death is, in my judgment, simply a transition into another kind of reality.
I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.
I think as a standup performer you have to feel the audience. So the audience kind of dictates what they get, you know?
The kind of audience that watches 'Matlock' is ideal for a lead-in to the affiliates' newscast in the afternoon. That audience is older.
The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
The way Donald Trump talks about the problems of black Americans as a kind of separate group who are not part of his audience but he's kind of reaching over his audience or behind his audience to black Americans, saying what have you got to lose? As in you might as well join me because the Democrats haven't done anything for you. But joining me means joining this group that already supports me.
Doras II was a somewhat absentminded king, It is said, when Death came to summon him, Doras granted Death the usual formal audience and then dismissed him from his presence. Death was too embarrassed to return until many years later- Ka'a Orto'o, Gnomic Utterances
I found doing that kind of comedy without an audience is just... for me, it's almost impossible. You need the audience to do their half of the work.
The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.
Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.
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