A Quote by Tim Allen
While awaiting sentencing, I decided to give stand-up comedy a shot. The judge had suggested I get my act together, and I took him seriously.
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My life plan was to get into drama school and become an actor, but it took me three years. I applied while I was still at school in my final year, and I didn't get in anywhere, so I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.
If the 'Chappelle's Show' had stayed on, I seriously doubt I would have developed this fast as a stand-up comedian. I probably would never have taken stand-up comedy really seriously.
A lot of stand-up comedy guys, when they get a little famous, just give up their stand-up career, and it cancels out the thing that set them apart.
Ultimately, I just decided stand-up comedy is a huge commitment, and if you want to be the best, you have to give it one hundred per cent.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
As a stand up, and often in acting, there is no place for the most intense feelings. Rage, genuine sorrow, naked hope... These things don't fit on a comedy stage and if you act you'll get to express them once in a while. Music is a place for the intensely personal.
A few years ago, for my birthday, Sean Price Williams said, "I'll give you one free day of shooting." He shot Kati with an I and co-shot Fake It So Real. While we've always worked together, I didn't want him to do it for free, so he cashed in his birthday chip and came for this one day.
I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
But sometimes it's good to dare yourself to do the unthinkable. And rather than stand in front of an audience with no clothes on, I decided to have a go at stand-up comedy.
When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.
I first decided that I could make a career of MMA after I decided to take it seriously and not act like a teenager in some band, but fully commit myself like a professional. Roughly, when I decided to up and move in the middle of the night from Omaha, Neb. to Denver, Colo. for proper training.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
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