A Quote by Tim Carmody
If you look around at the news industry, there are more and more sites clamoring for that kind of writing, whether it's an Ideas section or personal essay series or longform. Readers are hungry for it. It's like prestige TV, though; it's execution-dependent. You have to figure out the right advertiser or sponsor, and you have to deliver, you can't just feed the beast.
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People can live without a giant state. We've proven that already. But a giant state cannot live without dependent people. We feed the beast that puts us in shackles of our own creation. They are dependent on us. We think of revolutions as gunfire in the streets. But a soft and creeping tyranny can be beaten with a soft and creeping revolution. Think about it. Think about all the ways the totalitarian state is dependent on your personal actions. Think about what you do every day to help feed this beast and then stop doing that!
I would make the movie industry more like the television industry. TV is more material driven. In TV, you can break new stars. TV can take more chances.
The most puzzling thing about TV is the steady advance of the sponsor across the line that has always separated news from promotion, entertainment from merchandising. The advertiser has assumed the role of originator, and the performer has gradually been eased into the role of peddler.
I always love that phrase, 'Oh, this is a good idea, but it's execution dependent.' As if anything in life is not execution dependent. Breathing is execution-dependent.
When it was announced that I was going to be on 'Castle,' there were immediate messages on all the TV news sites from 'Firefly' fans hoping for a nod to the series - some encrypted business just for them! I can't promise that, but I can say that a few people out there might get a thrill.
I just don't need cable news. There's nothing that happens on cable news that I don't already know. I'm talking about just the acquisition of information, learning things. What is on cable TV is not that. Cable news isn't news. What is happening on cable news right now is a political assassination of not just Donald Trump, but of ideas and cultural mores that I believe in.
What I saw in the record industry is it's just getting more restricted, more restricted, more restricted to where everyone's trying to figure out what kind of song to make to get on the radio: that's researched and where advertisers are telling you what to play.
It's fun to deliver material on live TV because it's more off-the-cuff, but I like writing better. You really can measure the joke, think an extra second and nail the right reference.
The essay is one of my favourite forms of writing, and I feel like what's inside is really personal, more so than with shorter pieces.
I seem to thrive by destroying the last thing I did, in a kind of cartoon Nietzsche way. Emerson says in "Experience" something like "every ultimate fact soon becomes the next in a series." The self feels more real when you are destroying things you've made than when you are paying them homage. That's the good news about being self-destructive. The bad news, I feel I don't need to deliver.
People don't want to pay for pitches. They want to see it. If you hear one more time, "Well, that's execution-dependent." Everything's execution-dependent! If there's something that's going to be a little bit more interesting than The Untitled Slinky Movie, then I think that writers that want to do interesting work and at the same time commercial work need to put it down on paper. So agents and producers that writers are working with are encouraging them to get it on paper because the studios like to see what they're buying rather than just imagine what it could be.
I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.
One term that's used in this industry a lot is this notion of 'feeding the beast.' You've got all of these people whose livelihoods are dependent on it. There are enormous pressures to keep material going into it, and the pressures to feed it are not irrational. They're the basis of your business.
I like Twitter more than Facebook. Twitter is a great way to deliver and get news. In news writing less is more and 140 characters is great. If you can't grab that headline in 140 characters than it's not a story. Viewers tweet all the time and they tell what stories they like and don't like. It's great to interact with them and get that instant feedback. It's great for the viewer and the journalist.
There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas.
The more I get into this industry the more I kind of see that it'll take as much as you give. So for me, setting boundaries is sometimes saying no, and just being like, 'Actually I don't want to do that' even though people might in my situation say yes.
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