A Quote by Tim Commerford
Living in L.A., it's such a big huge place and there's so much of it. It's so much fun to be in Chinatown, or Downtown L.A. I was in Lynnwood, I was in Huntington Beach. I was in Venice. It's an incredible place.
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I think that place is a huge part of pretty much any musician's work, in how one responds to an environment, whether it be your actual surroundings or the more figurative place we're all living in.
Scotland is a much lighter and more fun place than I thought it was. I was miserable when I was there. But it wasn't Scotland's fault. It was my circumstances. I was - I hate to say the word humbled - but that's what it felt like. I was wrong about this place. This is a great place full of very fun people.
I was living in Paris, which is a very beautiful, very wonderful place, but a tight place as a city, a tight place culturally. Its people are very brilliant, thoughtful, the place functions, but it's a historical place in some ways, like a big museum.
I think people look at me and realize that I am definitely not in line to the throne. It feels very easy living in Great Britain. The world is a much smaller place than it used to be, it doesn't feel like a huge cultural difference living here.
I grew up in the suburbs, so I figured 'Why not try downtown living?' And, honestly, I love it. I've been very pleasantly surprised at how much downtown Indianapolis has to offer.
Discovering L.A., in particular in the early '80s, was pretty spectacular; it was fun and carefree, and there was not nearly as much traffic as exists today. It was very much the last gasps of the Beach Boys' ideal view of L.A.: sun, the beach, cars, blondes, etc.
Wichita's a fun place. It's a great place to go to school. It's a big university, but at the same time, it's not too big.
Greece has got something like 1,400 islands. There is so much of Greece you can't know even if you're Greek. It's sprinkled out all around the edge of the Aegean, all over the place. It's already a secret place wherever you go, even if it's somewhere huge like Athens or Corinth. The place enchanted me.
Downtown Cairo is at the center of the city, it is a place that has to be shared between different classes. It's a place where you see the bigger picture of the city's social fabric. It's also a place where you see all the contradictions of having all these layers, classes, and differences at the same time. And this is also where they clash, and where they negotiate. They negotiate their demands, their tastes, the lifestyles they want to have. So it's a very interesting space. I think that Downtown has maintained that identity before, during, and after the revolution.
The road is a fun place, and it's a great place to get out there and explore the country. But as far as the road life with the 'rock n' roll temptations,' there's not much of that with me.
... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.
L.A. as a geographical entity is very much a mixture of surf, desert, and the mountains, earthquakes and urban sprawl. Within an hour of driving, you can be out into the desert. I like that very much about living on the edge of a continent, conceptually is an interesting place to be. You're at this kind of juncture of a tectonic plate. The idea that the Pacific Ocean is right behind us, on a macro scale, is an interesting place to be.
We’re really lucky to live in a planet that has so much music. We could be living in some bland planet that had no music, no movies, no books, just a bunch of people going around having jobs and things like that. To me that would be a really miserable place, you know, to me music is what makes this world a really fun place to be, you know?
Within America, there are extremely different place. I'm not saying it's one homogenous color. It's obviously an incredible place. There's no other place like it, and it's incredibly diverse.
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
We all sort of do want incentives for creative people to still exist at a certain level. You know, maybe rock stars shouldn't make as much; who knows? But you want as much creativity to take place in the future as took place in the past.
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