A Quote by Tim Commerford
I started taking vocal lessons, I always loved the challenge of playing my instrument and trying to sing.
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I started dance class when I was a little kid, and then, when I turned 11, I started taking vocal lessons, guitar lessons, and piano lessons.
I started taking vocal lessons steadily. I started taking it seriously.
I ended up taking piano lessons at a really young age, I took, like, years of piano lessons, and I always loved to sing.
When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
I started playing piano and guitar when I was in elementary school, and then I was finally like, 'I want to sing.' So I started taking voice lessons and decided I wanted to go to an art school and take music seriously.
I started singing about three years ago, I entered a local singing competition called Stratford Idol. The other people in the competition had been taking singing lessons and had vocal coaches. I wasn't taking it too seriously at the time, I would just sing around the house. I was only 12 and I got second place.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
It's hard to sing really well when you're playing an instrument, but it'd be great to try and sing really well and have vocal effects and one drummer on a real drum-kit, and one on an electronic kit.
When I was 5, I started taking singing lessons, and then, after 'School of Rock,' I started taking guitar lessons. I would always write songs and play them for my friends, and I would play my guitar on the set a lot.
I came from being a singer going into jazz. And that's one of the things that polio did for me is it took away my ability to sing with a range because it paralyzed my vocal chords, so that was when I started playing. But I hear the music as if I were singing even when I am playing.
Maybe I was just born with a little bit of vocals or natural talent, but I feel like I taught myself. I just started taking vocal lessons to just work on my breathing, my vowels and stuff.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
I wanted to start doing more music, doing more things than just playing guitar. I started taking singing lessons and piano lessons. I need to learn more things, to be an artist or whatever, and then transfer that back into writing songs.
The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.
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