A Quote by Tim Conway

When you're small, you either are funny, or you get beat up a lot. — © Tim Conway
When you're small, you either are funny, or you get beat up a lot.
If you constantly beat yourself up with negative thoughts, you will either beat up on the people around you- verbally, emotionally, or physically- or you will beat up on yourself by destroying some area of your own life.
I'm a small-time white kid trying to represent hip-hop. If a hip-hop artist comes up and beats me in a battle, who did they beat? A small-town white kid who ain't never been an MC, who ain't never done nothing. Now if an MC comes to battle and they get beat by a small-town white boy, that's MC suicide.
That's how you get better on defense; not just 'oh, man, my guy beat me,' but you have to think about, 'okay, my man beat me, so I either have to pick up the next man, or I'm going to give somebody a foul.
It is always funny to see a grown man bully get beat up by a little girl or anything.
As much as you do get beat-up doing even small action sequences, it's incredibly fun.
I don't know the difference between a hippie and a hipster but, it's fun to watch either one of them get beat up.
I really loved making my mom laugh, and I knew that she thought that I was funny. It was really valuable, in my home growing up, to be able to have a chat and participate in a conversation and be funny. Whatever I could do to make my mom laugh could either get me out of trouble or just get me more attention or get me respect in the house.
Whenever you get a bunch of guys that are funny or think they’re funny, when you first meet, there’s always a lot of bits and it’s never, ever, ever funny. So basically you have to get through the awkwardness.
I think, as a comedian, the funniest you can be is with people you know, and [whom] you've known for years, in a pub. That's as funny as you get, and so the aim [while stand-up] is to get that funny on stage with 5,000 strangers, to get that funny in a room where people shouldn't be listening but they are.
The thing I try to get across to the writers - and I do a lot of writing, too - is that when I do stand-up, nothing I talk about is funny. Everything is really sad and tragic and then I make it funny.
People are seeing me as the guy who wants to get hurt, who wants to break a bone, get bruises. And that's how it was growing up with six brothers. I got beat up, and I beat up people.
It's really easy to be funny. You get a lot of funny people in a room, the show is funny.
I'd get beat up a lot early on. I wasn't the strongest, fastest or most skilled guy there, but I had a lot of heart and kept showing up. I just started getting better and by the time I was 13 I was knocking older kids and amateurs out.
My mouth has a tendency to get me into trouble, but because I'm so small and I take on people who are lager than me. If someone punched me, I'd get my drummer beat them up.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
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