A Quote by Tim Curry

I like risky parts - abrasive characters the audience won't necessarily like. — © Tim Curry
I like risky parts - abrasive characters the audience won't necessarily like.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
I like to change characters and then, slowly I believe the audience treat me as, like an actor who can fight. It's not like an action star.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
I like jumping to perspectives that aren't necessarily part of our characters, like suddenly you're in a window, looking from someone's house.
Though my music audience is cross-generational, like my television audience, my core demographic is people like myself. People who have grown up on hip-hop, but hip-hop doesn't necessarily speak to us any longer.
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
People latch on to characters who are rude or naughty or bad. Look at JR in 'Dallas' or Angie in 'EastEnders.' They're the best parts, the parts people want to be like.
Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
I do like being surprised by directors and producers and being offered parts I would never have considered, including parts that aren't necessarily obvious but which would test me.
In the film industry, you are fictitious, just like the characters you play. It has a lot do with a perception about you, and not necessarily you. You are successful because people like that image of you on screen.
Brad Pitt seems to have no problem getting parts that he wants, nor does Angelina Jolie. Not that I'm saying I look like either of them, but I just don't think that it has anything to do with that. It's the emotions or characters you are able to take on that will get you work, not necessarily the way you look. Obviously, beauty can open doors - it is Hollywood, after all - but that's not enough.
I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.
I like animated films, but not necessarily the characters.
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