A Quote by Tim Curry

I find there is something very intimate about being the voice in someone's ear when they're driving. — © Tim Curry
I find there is something very intimate about being the voice in someone's ear when they're driving.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.
There is something so intimate about saying the truth out loud. There is something so intimate about hearing the truth said. There is something so intimate about sharing the truth, even if you are not entirely sure what it means.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
One of the most challenging aspects of writing a memoir is finding your own voice, and you should be very careful about being influenced by someone else's voice.
Shooting of a sex scene is never going to something where you're having a wonderful time. It's a very intimate thing and a very intimate space to be put into - that's usually a space reserved for one. To have someone else in that proximity is pretty jarring, but we're all in the same boat and we're all experiencing the same anxieties.
Sometimes Thomas Mackee will stick an earphone into my ear and ask me to listen to a song. When I get over the revulsion of putting something in my ear that's been in his, I sit back and let the music take over, and for a half hour there's something comforting about someone's heart beating at the same rhythm as mine.
It's not about just a vote, it's about being a voice. There's a difference between being a person who just pushes the button and someone who is actually going to be a voice for the conservative movement.
When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.
Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.
When I read to children, I try to become the characters. It's great if you can make a separate voice for each character. Sometimes you can lower your voice with excitement or get more intimate about it: you can lean forward and engage the children as a narrator or as a reader. It's particularly important that you find the voice that you want to use for each character, because then children can imagine that person as you're reading aloud. And of course, the illustrations help enormously.
I'm about the only person in my family that's made it to 24 without being married. That's the way it works where I'm from. Most people, if you find someone to marry in high school, you do that, and if you don't find that, then you find someone in college.
There's something very intimate about taking someone's work, turning it over and unpicking it. In the same way people have unique handwriting people have a sewing style. You do start building a fantasy relationship with the person.
It's one point to build a singing voice, but giving someone his or her own voice back is something else all together different. Imagine not being able to communicate with your voice and then having it back! It's truly a mind-blowing experience to hear that happen.
Now, although I'm a mimic and I've got a reasonable ear, being a character isn't about an ear. It's about the whole person.
It's the combination of the intimate and the public that I find so exciting about being poet laureate.
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