A Quote by Tim Daly
Usually when I see myself in a film or on television, there's about a six-month period where I can't look at it because all I'll see are the mistakes. I'm just appalled by the person that I see.
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I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
I'm actually an impatient person. I'm very suited for television because with the process, it's six weeks from the time you come up with an episode until when it airs. We can't drag it out that long. With film, and this is not a profound observation or an original one; it can go on endlessly unless the movie's like incredibly topical. That's the challenge for me, as an impatient person who wants see things come to life. ... I mean, it's just this feeling I get when I see a movie I love.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
I can't possibly be objective about myself. I can look at my other colleagues work, and they are all tremendous, really. To see their faces, to see their expressions, to see how they were sitting in their chair uncomfortably, and start crying even, is a great testament to what film can achieve.
I don't watch my old films like 'Roja,' 'Dil Se' because I only see mistakes. I see five minutes of the film and I am scared I will start finding mistakes in them.
Whenever I see a mirror, I just look at myself, or when I see my own reflection, I quickly take a look; I won't lie about that. But when I am in front of the camera, it's just the character, not me.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.
I'm considered wise, and sometimes I see myself as knowing. Most of the time, I see myself as wanting to know. And I see myself as a very interested person. I've never been bored in my life.
I glance through the pages of all the top magazines every month just to see if there are any colors that are trending. I'll also go on Instagram and look at the 'popular' page to see what people are liking, what's cool. I'll check it at different times of the day; for example, if it's really late in L.A., you'll see a lot of posts in Asia.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
I am grateful to learn from their mistakes, because I am not injecting s- into my face. I see them and my heart breaks. I think, 'Oh God, if you only know how much older you look.' They are trying to stop the clock and all you can see is an insecure person who won't let themselves just age. I also have a fiancé who will put a gun to my head if I touch my face in any way.
The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
You can talk yourself out of doing something if you start to think about, "How would this person see it, or that person see it?" So sometimes it's allowing myself to be in it and not talking myself out of it.
Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
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