A Quote by Tim Daly
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
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I got into television criticism because I thought it would be easier than film criticism. Film, you had to know 100 years of history, and TV you only had to know 40 when I started. And I thought, "Well, that's going to be so much easier." But film stayed pretty much the same. And television has changed so many times that my head hurts. So I made the wrong call there.
I gave up planning when our children were born, when I had three children to feed and a roof to keep over our head and all of that. Early in my career, I said I would never do television at all; then I wound up doing nothing but television for 10 years when I did 'St. Elsewhere' and all those TV movies.
It’s not whether children learn from television, it’s what children learn from television... because everything that children see on television is teaching them something.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
Film and television, one is generally faster. Television generally moves faster in terms of directing, schedules and getting things done. Film, you're on a pretty tight schedule, so the process is the dame.
There's an infantilization that happens to actresses in general - musical theatre, straight theatre, television, film - we're spoken to like children. Actors are spoken to like children a lot of the time.
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
The reality is that much of the stuff you see in film, television, comics, and children's cartoons got its start inside the inspired, disruptive halls of science-fiction and fantasy literature.
Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
My fantasy for children's television is that it's not really children's television, it's everybody's television.
Belushi was one of my very first heroes. At a time when film, television, and music were undergoing tectonic shifts within American culture, he was at the center of it all. At that moment, he had the number one show on television, the number one film at the box office, and the number one record on the charts.
I have a lot of regrets, of course I do. I should have taken that part; I should have maybe married that one, I don't know, but I didn't. So I am what I am and I'm pretty confident that I can break in. I think what I have to offer on film and on television is honest.
I was a poor kid. I grew up watching film and television but primarily television. And I graduated high school, and I knew I wanted to go to college because nobody in my family had. So I was like, 'I'll go and be a theater major.'
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