A Quote by Tim Gunn

A couple of things for the not-so-diminutive man: avoid any prints that are large scale, because you will look like the print is wearing you, as opposed to you wearing the print.
Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
Yes, the people I draw don't have a wide variety of looks. Every now and then I'll spruce it up, like a woman will be wearing a two-piece suit as opposed to a one-piece, or a man will not be wearing a tie; he'll just have a collar.
Personally, I don't really have a set style or look. It's pretty much what I feel like wearing that day, from a floral-print dress and high heels to ripped jeans and army boots.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.
I feel like people associate us with the tropical Hawaiian print because, for a long time, we were wearing a lot of bright colors to exert our personality.
My weakness is wearing too much leopard print.
If James Franco's wearing a costume, and I'm wearing a motion capture suit, we don't act any differently with each other because of what we're wearing. We're embodying our roles.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
I first became interested in style when I was 16 and I had my first couple of gigs. I realised I couldn't look like the people I was performing to. Not in a condescending way, but just that it would be weird if I was wearing exactly what someone in the crowd was wearing.
I used to think fashion was something unattainable and reserved only for people who look like models. But looking back, I've always made bold choices, possibly beginning with the silk jungle print jacket, orange shorts, and Nepalese cap I insisted on wearing every day when I was ten.
I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts.
One of the reasons I started Tzadik, which is my own label, is to keep things in print. I got tired of labels dropping things out of print when they don't sell.
What finally prompted me to lose weight was a view of myself in a hairdresser's full-length mirror when I was seated and wearing one of the salon's floral print robes and realized that I looked like a slipcovered club chair.
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