A Quote by Tim Gunn

But my manners also came from when I was in college and began participating in critiques. You have to speak with someone respectfully about their work and be honest and open, without hurting them.
My manners also came from when I was in college and began participating in critiques. You have to speak with someone respectfully about their work and be honest and open, without hurting them.
College students today are drowning in debt, and it is hurting them and hurting our economy. We must find a way to help families pay for college without condemning them to a lifetime of indebtedness.
Mel [ Bochner] held large-form meetings with students. But the stronger points came through when we had the one-on-one critiques. And that's the system that works at Yale. There's the group critiques, and then there's the one-on-one critiques that happen in studio.
Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting, or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
Most critics write critiques which are by the authors they write critiques about. That would not be so bad, but then most authorswrite works which are by the critics who write critiques about them.
The challenge of manners is not so much to be nice to someone whose favor and/or person you covet (although more people need to be reminded of that necessity than one would suppose) as to be exposed to the bad manners of others without imitating them.
I began after college, about 1972. I began to teach myself photography. I went to work for a local newspaper for four years as a kind of basic training.
People are tired of the same ol' garbage. They want people that are willing to speak out, speak up, be open and honest with them.
I didn't read poetry seriously until college, when I really began to devour it in a very intense way. I also discovered that a poet is a maker. Before that, I thought a poet was someone who wrote about his own experiences.
There used to be an art form called the 'comedy of manners.' Why aren't comedies of manners made now in this country? The answer is simple. We no longer have manners to speak of.
It's very difficult to be right about something without hurting someone with it.
I think it's most important for children to understand the concept of respect and manners and also work ethic. I have a responsibility to those who came before me.
It's so difficult to figure out how to offer support and also be honest with someone you love who's in a damaging relationship without making them feel defensive and retreating even further into isolation.
When you approach someone as a human being, truly and try to be as open as safety allows, some of the bigger reenactments with a whole army of paramilitary people participating, I couldn't say my feelings openly in front of everybody, without it being dangerous for my crew.
I thought if I was open and honest, it would help the reader to get open and honest, and they also would realize sometimes when you write a book, people think you're an expert and that's not always true.
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