A Quote by Tim Harford
Loss aversion is a really disproportionate anxiety about stuff that doesn't matter very much. So for instance, if you lose $5, you feel really bad about the $5 you've lost. You're cursing yourself. You're going through it again and again. If, on the other hand, you find $5, you go - hey, great, five bucks. And you've forgotten about it really quickly.
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I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again. My wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but it's - I don't really think too much about it.
I know absolutely nothing about where I'm going. I'm fine with that. I'm happy about it. Before, I had nothing. I had no life, no friends, and no family really, and I didn't really care. I had nothing, and nothing to lose, and then I knew loss. What I cared about was gone; it was all lost. Now I have everything to gain; everything is a clean slate. It's all blank pages waiting to be written on. It's all about going forward. It's all about uncertainty and possibilities.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
There are times, especially on 'The Five,' where I've lost control for a moment. I always feel bad about it, but those always seem to be the times that people realize, if I'm mad about something, it must really matter.
The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.
I really couldn't be more excited about the opportunity that we have with the new president to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.
I mean, the way I'm talking, it sounds like I'm - you know, I'm about to go out and sign up for the nearest seminary, and you'll never see or hear from me again. But it's a hard thing to talk about really 'cause I'm not at all sure myself about it. But I've got a very, very simple sort of outlook to it. Yeah, that's all I can say, really.
I really couldn't be more excited about the opportunity that we have with this new president [Donald Trump] to really turn this country around and get the economy moving again and have America standing tall again, home and abroad, to make America great again.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
You can't really control how people are going to feel about you; all you can really do is be yourself. Because if you seduce somebody, and you seduce them by pretending to be a certain way, once they are seduced they are going to find that you are not that way. And then you have to maintain an image that's not real, so you really screw yourself. The best is to be yourself and hope they like you.
For me, it’s like playing the same instrument but in a different context. TV work – it’s really about getting it just right. You have a chance to try again if it’s not. Theatre is like playing a rock show. It doesn’t really matter if you make a tiny mistake. It’s the whole vibe and getting people to feel you. It’s about carrying the moment through all the way with you in an hour and 20 minutes of the narrative.
Theres really not much that people can pick on me for my work, so obviously they find other reasons to write something bad about me. I mean, people enjoy reading bad stuff about people.
There's really not much that people can pick on me for my work, so obviously they find other reasons to write something bad about me. I mean, people enjoy reading bad stuff about people.
George Clooney is exactly what you would expect. He's annoyingly good looking, insanely funny, and super smart. So you just feel really inferior around him all the time. You end up feeling really bad about yourself, but you walk away feeling really great about George Clooney.
I find DIY really therapeutic. I lose myself in it, because you can concentrate on the task and not think about all the other stuff going on in your life.
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