A Quote by Tim Harford

Cory Doctorow should be too busy for lunch. He's co-editor of, and a prolific contributor to, one of the most influential blogs in the world, Boing Boing. Over the past decade the Canadian-born writer has published 16 books, mostly science fiction novels. He campaigns vigorously on the politics of the digital age.
I co-founded 'bOING bOING' magazine and the 'Boing Boing Blog' and was an editor at 'Wired' from 1993-1998.
I follow blogs, particularly all the main political ones - Guido Fawkes, Iain Dale, Coffee House, Paul Waugh, Iain Martin in the Wall Street Journal, and so on. And some American ones, like the Huffington Post, Gawker, Boing Boing; or Eater and Daily Candy, also American, which are about where to go to eat.
There must be a dozen films now based on Philip K. Dick novels or stories, far more than any other published science fiction writer. He's sort of become the go-to guy for weird science fiction notions.
I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.
I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.
I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research.
British and Canadian sci-fi strikes me as more forward-looking than its American counterpart, as evidenced by the success of Iain M. Banks, Charlie Stross, Robert Charles Wilson, and Cory Doctorow.
People over the age of thirty were born before the digital revolution really started. We've learned to use digital technology-laptops, cameras, personal digital assistants, the Internet-as adults, and it has been something like learning a foreign language. Most of us are okay, and some are even expert. We do e-mails and PowerPoint, surf the Internet, and feel we're at the cutting edge. But compared to most people under thirty and certainly under twenty, we are fumbling amateurs. People of that age were born after the digital revolution began. They learned to speak digital as a mother tongue.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
I've read science fiction my whole life. I never really dreamed that I'd be a published science fiction writer myself, but a short story I started years ago sort of demanded to be turned into a novel.
In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people!
The printed word will be around long after many of our digital creations are gone, either because books don't require monthly hosting, and blogs and websites do... or because the languages and platforms for which a particular digital creation was published will become obsolete.
You don't want to get that sort of sound in your writing that boing that gives you away.
'The Danish Girl' was published in 2000. Then it, too, would disappear, as most books do. It fell out of print almost everywhere. I wrote other books and, as an editor, worked on dozens more. Yet always, Lili stayed with me.
The novels that get praised in the NY Review of Books aren't worth reading. Ninety-seven percent of science fiction is adolescent rubbish, but good science fiction is the best and only literature of our times.
Alasdair MacIntyre is one of the world's most influential living moral philosophers. He has written 30 books on ethics and held a variety of professorial chairs over the past four decades in North America.
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