A Quote by Tim Hecker
I've always said my records are these failures of not getting where I want them to go, they end up detouring somewhere else, so on one level it's partly a disappointment, and on another level it's being comfortable with surrendering to that kind of state of becoming or whatever.
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I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
I always love to do more. Whatever opportunity I get to make a play I'll make the most of my skills. To score touchdowns, to have energy, to light my team up, to get everyone riled up, to continue to go on the field and play at a high level. I just try to set the tempo, playing at a high level and everyone else can follow.
I guess my approach to adapting books is to treat them with a deep respect on one level and at another level part them to one side and go, 'I'm doing something completely different here.'
Sometimes what we think is a disappointment, is really God getting us in position to go to a new level.
When we're talking about people not wearing clothes or being naked or whatever, that's a whole lot of people. And I said this: if that's their thing, and they feel comfortable doing that, then whatever; that works for them, but you don't have to go that route if you don't want to. We don't want people to think that that's what you have to do.
Getting to the next level always requires ending something, leaving it behind, and moving on. Growth demands that we move on. Without the ability to end things, people stay stuck, never becoming who they are meant to be, never accomplishing all that their talents and abilities should afford them.
I'm a firm believer that before you can go anywhere, you have to conquer the level that you are at, just like young kids do it today with video games, they have to finish one level to go to the next one. Conquer one level at the time, and only then you'll get where you want to go to.
...this is my dilemma. I'm a guy who makes things up as I go along, so nothing is ever finished - there are so many layers. So when you solo, yeah, you might get into one thing, but then, hey, everything has implications! You can hear the next level. And that's how I feel about improvising - there's always another level.
Becoming a father increases your capacity for love and your level of patience. It opens up another door in a person - a door which you may not even have known was there. That's what I feel with my son. There's suddenly another level of love that expands. My son is my greatest joy, out of everything in my life.
You should always want more. If you get comfortable with what you have done, you can never go to that next level.
If we want to stabilize the carbon dioxide in the atmosphere at some level - it really doesn't matter which level - you end up having to stop emissions virtually completely.
Somehow, some way, every person in the arts has to find an accommodation with disappointment and embarrassment. They are the pollen in the air we breathe. If you must go into the arts, go into them for yourself alone. On some basic level you must enjoy the act of doing it ... Otherwise, you are going to end up frustrated and unhappy. Recognition in the arts is luck and gravy.
As a kid, you just want to play football. For me one day it will end, but until the end I love getting the opportunity to go out there and play at a high level.
It's partly that I'm an extrovert and that I like being with people. If you shut me up in a library with nothing else around for weeks on end, I'd go mad! I have to sort of go out.
Political correctness is a poison to our security and defenses. It imposes a willful blindness, both at the macro level when unwilling to engage with radical Islamism or whatever you want to call it - if you're not willing to call it what it is - and at the micro level, at the street level.
When you're in a movie, they treat you like you're four years old and give you whatever you want. On some level it's really wonderful and gratifying, but on another level it's rather disturbing. I'm sure you've spoken to movie stars and wondered: How do these people survive without babysitters?
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