A Quote by Tim Hecker

Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.
I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.
I went to these mixers, you know, where you're supposed to meet people. And sure enough, some guy asked me for my phone number. but at the end of the evening he gave it back.
I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up.
I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
It used to kind of upset me when I'd be working on a part in my hotel room, and I'd get an idea for a song and find myself on the guitar for an hour when I should be working on my lines. But I've discovered that when I start to shake up my creativity it wants to be expressed in all kinds of different ways. They all kind of inform each other.
Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.
Many people have asked me why there are three pedals in these grand pianos. Well the pedal in the middle is there to separate the two other pedals.
Sometimes when my mom finds a fun article and really wants me to read it, I will. But I prefer to just kind of focus on what I want to do and not really what other people are saying, because I don't want that to affect me too much.
I'm so used to knowing what to do with an electric guitar and amplifier, but with an acoustic guitar, it's different, but I still have an amp and a whole bunch of pedals.
And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
For me, I was the most vulnerable and needed the most in my postpartum experience and got the least. It was just kind of a drop-off. That would be my focus - on the woman, afterwards.
The irony is that I use computers every day of my life to do music because I edit all of my music in a computer. But when it comes to doing live processing, I prefer, as a performer with an instrument, not just having the computer as the only thing I have. I really prefer and find it much more flexible to have the limitations of pedals.
My dad is obsessed with music, so I was raised around this guitar player that really wanted me to be a guitar player. One of my earliest memories is him kind of forcing a guitar on all my brothers and me. You know, "You have to practice three hours a day!" I hated guitar at the time. I kind of picked up trumpet to spite him.
I write on the acoustic guitar, I write some on the piano, but I've been messing around with these guitar pedals and drum machines, educating myself in that world.
Poor people and working people have not been the focus of the Obama administration. That for me is not just a disappointment but a kind of betrayal.
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