A Quote by Tim Heidecker
When people come in to act on the show, we say, "Just be extremely dry and not funny. Let the idea be the joke." That holds true through a lot of our stuff.
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In every show that you see, there's some stuff that's funny and some stuff that is not, or there might be stuff that you find funny and I don't. That would be true for any show, however funny or popular.
I think sometimes my humor is extremely dry, and a lot of times I would say things that I thought were very funny but... I have a reputation of - people think of me as a very fundamentalist, humorless fellow.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
This is a funny story. We'd asked the guards every day for cappuccino. You know, just as a joke. And they'd come in with their cups of coffee and stuff. And so I get here and I have a spot for a cappuccino machine, and it didn't work. So I don't have any cappuccino ... I didn't miss the cappuccino, I missed the idea of cappuccino.
I love to write songs, but they don't come easy to me - I spend a lot of time writing really dumb stuff that I have to look at the next day and think, 'God, what was I thinking?' That's my process, is just to go through a lot of dumb stuff and hope that, after a lot of hard work, I'll find a good idea.
I often fake my death and then just show up at people's houses. They say 'that's a good one Thom' but I know maybe they don't really think it's a funny joke.
Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
I'm not a great joke writer, which is odd for a comic to say, but I'm not. So it's hard for me to come up with things, because I don't write stuff, I don't write my act down.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
If you're looking at the array of performers, there's just a lot of people that it's about getting closer to them. That's not really our focus. It's funny, with the kids' stuff, we really sell ourselves as the MC, but it's much more like we're Ed Sullivan than we're like Sting. We're just the presenters. And that's an idea that we're very comfortable with.
Most of my show is true; like, 90% of everything I say on stage is true. I just have to find the way to make it funny - that's the difficult thing.
I think it's cool to do stuff in a different language. Basically, I learned English through listening to rap. A lot of people think it's funny. But it's true; I used to try to get the accents.
I'm extremely blessed. There's a lot of people trying to exactly what I'm doing, but I'm a part of that 9.1 percent that's actually having their dream come true. I just don't take that for granted.
It's funny: We have so many shows and so many channels and so many things to occupy people as entertainment, especially with a show like 'Scandal,' which is clearly a hit, with a lot of heat around it - but every once in a while, people will say, 'What are you doing?' and I'll say 'Scandal,' and they'll have no idea what I'm talking about.
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