A Quote by Tim Heidecker

I always liked records that didn't explain themselves too well - ones that you had to listen a few times. — © Tim Heidecker
I always liked records that didn't explain themselves too well - ones that you had to listen a few times.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt, who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson and a few others.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.
I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
Yes; my brother Bobby used to distribute records at King Records. I had a job there, too, packing records up and shipping them off. But I always wanted to play sessions at Stax, so I figured out a way to do it.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
I actually really liked the music to the 'Friday the 13th' Nintendo game. I still listen to it all the time. I sampled it in a couple records, too. It's hypnotic and dark but also really pretty.
When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
Often parents themselves will not have liked education and may not have done well in education. But actually we need to explain to them what education can do for children.
I've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.
There's songs you listen to at really heavy times, and you associate those songs with being depressed. 'English Rose' by The Jam, I can't listen to - it's just too heavy for me. 'Julia' by The Beatles, too. That popped up the other day, and I had to skip to the next song. They're both really awesome, moving songs, but I can't listen to them.
As a graduate student at Harvard, I had to explain quite a few times that I was allowed to attend a university as a woman in Iran.
I always liked jazz. And my people liked the old blues, race records and the doo-wop and all that.
If you listen to old Jerry Lee Lewis records, he'll always - about nine times out of 10 have the lyrics different than the original record is.
I always freak out when people ask me about my favorite bands or my five favorite records, I just can never do that because it goes through different waves and sometimes you want to listen to something and at other times you want to listen to something else so I don't know.
There are few master teachers in life. ... But there are many who can listen to life so well that they can hear the vastness in everything and in you. A teacher is someone who has learned to listen to life. Someone who has found a way to listen well. Any real teacher is only a finger pointing. In the end, we may find out more by not following our teachers but by following what our teachers follow for themselves. From a good teacher you may learn the secret of listening. You will never learn the secrets of life. You will have to listen for yourself.
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