A Quote by Tim Heidecker
I feel like when you do Twitter, sometimes you just have an idea and you fire it off and don't really think too hard about the consequences of that. I think my reputation there is as a comedian and not someone to be taken seriously. But I like the idea of getting out false information and just muddying up the story and making it as confusing and, you know, schizophrenic as possible.
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A good writer can simulate a page torn out of somebody's diary, and give you every little voyeuristic thrill you might get from that, but actually tell you a broader story. I think it's a noble idea that it's cathartic to open a vein for everybody to see, but ultimately, you're just getting blood everywhere and making a mess. I like the idea that there are deeper and more meaningful things to talk about than your own misery. But at the same time, there's something really interesting about skirting that line and making it seem like you're doing that.
American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up. My idea was: Enjoy baking, sell your bread, people like it, sell more. Keep the bakery going because you're making good food and people are happy.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
Writin songs is like a mystery. The most difficult thing to do is have a good idea. If you have a decent idea, the songs are the easy part. Actually having something to say is the hard part. If you get an idea for a song, then it pulls you along. There are just some ideas that you get that are really hard to edit out; it's hard to stop thinking about some bad ideas. So you just finish it and you end up putting it on a record.
It's just like an idea, like a chorus, and then we just jam on it - it happens in loads of different ways. The best songs I find always come from the subconscious, like when you don't think. Not to be pretentious about it, but usually songs just blurt out rather than thinking about it. I never write lyrics and then do a song, I find that really hard - that's like a real skill.
I like the idea of reincarnation. I'm not a true believer, but I think the idea is beautiful, that life just doesn't stop. For soulmates, it's the term that I'm a little bit skeptical of. As soon as you put a label on something, it seems like that's it, you're done. Obviously I believe in love and making it last forever, but what's beautiful about that is you don't know if it's going to last forever. When you don't know that this is it, you, I think, enjoy it more.
Working on a new idea is kind of like getting married. Then a new idea comes along and you think, 'Man, I'd really like to go out with her.' But you can't. At least not until the old idea is finished.
The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That I think is valuable. In terms of actually tweeting myself, I have just lost enthusiasm for it. Maybe I'll do some of it this week to tell people about the PEN Festival and encourage them to show up.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.
Sometimes you get into fights if a teammate is getting taken advantage of, sometimes just from competing and you feel someone takes a cheap shot. It's just the intensity. It's an intense game, sometimes you just get too fired up and fights happen.
I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
I was working with D'Mile - he's amazing! And I don't know, it was like that guitar riff was so crazy to me, and so I think I was frustrated about something that happened earlier and I feel like I'm just a good guy, I don't cut people off, I don't really call people out when they do stuff that they should be called out on, and I'm just always the one being the bigger person. So, that day "Gangster" just came out. That's just how I feel in that day to day life.
Sometimes it's just enough for me to have the idea. I don't need to see it through to the end. When it actually happens, I'm always disappointed because it's never like what I imagined in my head. When an idea becomes a reality, then it's a job. I'd rather just think about it.
If you just go out and try to make money by starting a business, you're going to come up with something that's just like what everyone else has done. But if you look at the world and see opportunities that can be taken more seriously, then you come up with a great idea.
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