A Quote by Tim Heidecker

In the world of 'Tim and Eric,' everything is big and ridiculous and absurd. — © Tim Heidecker
In the world of 'Tim and Eric,' everything is big and ridiculous and absurd.
I have seen the day, when, if a man made himself ridiculous, the world would laugh at him. But now, everything that is mean, disgusting, and absurd, pleases them but so much the better!
The 'Tim And Eric' experience was very strange.
To me the world seems grotesque, absurd, ridiculous, painful.
When things get so absurd and so stupid and so ridiculous that you just can't bear it, you cannot help but turn everything into a joke.
I, like anybody whoever met Eric Wright, was mesmerized & inspired. Eric was more like a big brother to me, to all of us. I always think to myself, if there was no Ruthless, West Coast hip hop would not have been as big.
I am here," Eric said. "And I am here." I was a little amused at Eric's phone answering technique. "Sookie, my little bullet-sucker," he said, sounding fond and warm. "Eric, my big bullshitter.
Rock 'n' roll is ridiculous. It's absurd. In the past, U2 was trying to duck that. Now we're wrapping our arms around it and giving it a great big kiss.
The only thing I can recommend at this stage is a sense of humor, an ability to see things in their ridiculous and absurd dimensions, to laugh at others and at ourselves, a sense of irony regarding everything that calls out for parody in this world. In other words, I can only recommend perspective and distance.
Christianity is the most ridiculous, the most absurd and bloody religion that has ever infected the world.
For me, I really love 'Tim and Eric' and 'Dr. Steve Brule' and a lot of the Adult Swim shows, so I like strange, weird, sometimes slightly upsetting humor.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
Figuring out what made 'American Psycho' tick, it was such a fun script to work on, especially when we got an audience. Everything about it was so dark and yet ABSURD. I played Evelyn, and balancing what made her real and ridiculous was incredibly rewarding.
I had a babysitter when I was 12 or younger. I had a big crush on her. She was really spontaneous and fun and loved to make us sing and dance and paint. She was the coolest person in the world. I guess I did have my young love. I did everything to impress her. Everything possible. It was just ridiculous.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
Eric moved the broom experimentally and made an attempt to sweep the glass into the pan while it lay in the middle of the floor. Of course, the pan slid away. Eric scowled. I'd finally found something Eric did poorly.
Wow," I said, since it was all I could think of to say. "Wow. That's some outfit." When you've got a big guy wearing Lycra it doesn't leave a whole lot to the imagination. I resisted the temptation to ask Eric to turn around. "I don't believe I could be convincing as a queen," Eric said, "but I decided this sent such a mixed signal, almost anything was possible." He fluttered his eyelashes at me. Eric was definitely enjoying this. "Oh, yes," I said, trying to find somewhere else to look. (Living Dead in Dallas)
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