A Quote by Tim Henman
A lot of clay court players want rhythm. They want the time to play from the baseline, and it's about preventing them from having that.
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I don't mind talking about the game. I don't mind talking about what we go through as players, because I want people to get a deeper look inside instead of looking at stats all the time or looking at numbers or just watching the game. I want them to get a pulse on us as players, and a lot of players might not want that, but that's what I want.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
Players want to play a lot of rugby. We're walking contradictions at times in that we want to play a lot of rugby, but we don't want to play too much rugby, and we want to be available for all the big games, yet there are times when you have to sacrifice that because of game limits.
I want authenticity, I don't want players to make a show. I want players to be able to be themselves on court and express all kinds of emotions.
To find a clear identity for the team - that is not about buying certain players for a lot of money. It is about getting players who want to play the right way.
I want to be the top player in the league, and I want to bring my game to another level. I want to play against the opposition's best players-and I want to beat them.
You have clay players that have maybe struggled doing as well on hard courts and those will get criticised. But you also have hard court players or grass players who maybe struggle doing well on clay, and that will always be the case.
Nadal is just more at home on clay. It looks like he feels safer on clay courts. He can get to a few more balls, he can play a bit further behind the baseline when he defends, and he's also able to get the ball to bounce higher. It's unbelievable.
The great thing about [Michael] Jordan was that he made them want it just like he wanted it. And a lot of times like a lot of the basketball players, not to be getting on basketball, but, with a lot of the basketball players you might have one superstar on the team, and they're not willing to play up to par with the way he is, so they don't make it. But then you have some celebrities on the basketball team, and they don't know how to get along with each other!
In Italy, some managers want distance from the players, the Fabio Capello style, but that is not my way. I am more like Carlo Ancelotti. There are aspects of the players' behaviour I do not understand, but I want them to respect our situation. If they do that, I have a lot of respect for them, too, and I will do everything to help them.
We don't want our players to be monks. We want them to be better football players because a monk doesn't play football at this level.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
You have to close quickly, you have to eliminate time and space and you have to try to deny them the puck. When you're playing with it, it forces them out of their rhythm and forces them to play defense, which they obviously don't want to do.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I'm just going to get out there and on court, give it my all and that's what I want to do every day. That's what I want to be known for, and that's what I want other players to know about me, that I'm never going to give up.
When you begin a play, you're going to have to spend a lot of time with those characters, so those characters are going to have to be rich enough that you want to take a very long journey with them. That's how I begin thinking about what I want to write about and who I want to write about.
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