A Quote by Tim Henman
I was always single-minded, never thinking about what was being said or written about me.
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My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
The funny thing, I guess, is that my husband ended up being the muse of a book about the worst marriage in the world, because if he hadn't consistently said, 'Don't censor yourself, don't worry about me' - if he'd been anxious and worried about it - then it would never have gotten written.
I love humor in writing, so I've written to the thing that's funny, there's the joke, but then I just kept going. I started thinking about all the bikes I've had stolen, and that got me thinking about crime, and that got me thinking about the city I'm in.
Distinguish open-minded people from closed-minded people. Open-minded people seek to learn by asking questions; they realize that what they know is little in relation to what there is to know and recognize that they might be wrong. Closed-minded people always tell you what they know, even if they know hardly anything about the subject being discussed. They are typically made uncomfortable by being around those who know a lot more about a subject, unlike open-minded people who are thrilled by such company.
I did a tour of Sweden with Eddie Izzard in our early days, and he said, 'I'm thinking of talking about being a transvestite on stage. You should talk about being a Catholic.' I said, 'I think audiences will be more accepting of you being a transvestite than me being a Catholic.'
If a person was accused of being a racist when he was young - he said some racially insensitive thing or someone had him on tape calling someone the n-word or whatever - and then you fast forward and he feels, Oh, back then I didn't say this or that. He's not thinking about the person that he hurt when he said what he said, or however it came out, or the effects that it could have had. He's not thinking about it. He's thinking about his own self and how he feels.
I've never just said things recklessly without thinking about it or talking to people about it. I always go back to my people and talk to them about it.
One of the great things about being commander in chief is getting to know our men and women in uniform in a very intimate way, whether it's visiting Walter Reed and seeing our wounded soldiers, or being on a base and talking to families, or interacting with them on missions. They're the best of the best: always thinking about the mission, not thinking about credit, not thinking about who's up front.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
The difference between me and, say, the opera critic is that I'm charged with thinking about the world beyond opera. I could go see 'Die Fledermaus', for instance. I've never done any of this, by the way. I've never written about one opera since I've had this job.
I have decided to keep a record of my inmost real-self thoughts. Perhaps it will help me to find out what I really am like: horrid, I know: selfish, conceited, and material-minded. For instance, lately whenever I've tried to concentrate on anything serious or beautiful, I've started thinking about the Spencers' dance next week. I am ashamed of my pettiness. I'm going to try to do better this year--develop my character more and not always be thinking about enjoying myself. I've always been so happy, I dread disappointment and unhappiness, but they would be good for me. But I don't want them.
The pressure I did feel before matches was self-inflicted. I didn't go out on court there thinking about what was being said in the papers and on TV about me.
Being essentially a creator, I never set out to shock, always thinking about creating my work and not about the benefits it could produce.
...when I came back, I found Mom sobbing at the kitchen table...Then I asked her what had happened. 'Nothing,'she said. 'I was thinking about that man...I started thinking about...if he and his wife and their other child are okay, and I don't know. It just got to me.' 'I know,' I said, because I did know. Sometimes it's safer to cry about people you don't know than to think about people you really love.
I was always worried about what others were thinking about me or how I was being perceived.
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