A Quote by Tim Lincecum

I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
Back in the day when I played, a pitcher had 3 pitches: a fastball, a curveball, a slider, a changeup and a good sinker pitch.
I threw a good fastball and changeup, but a below-average curveball.
I enjoyed hitting in the Major Leagues more than in the Minor Leagues. I didn't want to tell anybody it was easier, because I didn't want to sound cocky. But Major League pitchers had better control, and most of them were around the plate.
Everything with me is normal except when I pitch (in Fenway Park). When I pitch here it's a little different. There is a little more anxiety to go along with the nostalgia because this is the park I grew up with as a kid. This is the park I dreamed of playing Major League Baseball in and no other ballpark has that feeling for me. There are a lot more family and friends here than in my normal starts and I want to pitch well here.
I think we mixed a lot more curveballs than normal because they were either going after my drop or laying off of it and that's normally my go-to (pitch).
Be proud of your mistakes. Well, proud may not be exactly the right word, but respect them, treasure them, be kind to them, learn from them. And, more than that, and more important than that, make them. Make mistakes. Make great mistakes, make wonderful mistakes, make glorious mistakes. Better to make a hundred mistakes than to stare at a blank piece of paper too scared to do anything wrong.
People judge too much by results. I'm just the opposite. I care about more than results. I'd rather make a good pitch and give up a bloop single than make a bad pitch and get an out.
Getting my curveball back and finding another pitch just helped me figure out how to pitch.
Some people think I am an issue-oriented writer, but I've never said to myself, I'm gong to write about such-and-such an issue - that would make for incredibly boring writing, at least to my taste. Creating someone I don't know and her made-up world shows us more about who we are - is actually a better mirror - than if I were to parade in front of you an instantly recognizable person in an instantly recognizable situation. I'm not saying, Let's make it all abstract and weird and difficult and thereby you will know more about yourself. My process is much more organic than that.
My changeup needs to be better. Until I feel comfortable throwing that pitch - or any pitch - in any count, I've got stuff to work on.
I kept listening in the minor leagues, and even earlier than that, people would say, 'If you don't hit the fastball, you're not going to get to the big leagues.' Every game, you're going to get a fastball.
I feel like each time I do something I want it to be more and more recognizable that it's me so, by the time I do a film, my films will be as recognizable as someone like David Lynch or someone who's got their own thing going on.
I've always been fastball-curveball and really relied on that pitch, and when it goes away, it just totally changes how you attack hitters.
I'm a fastball hitter. It's no secret I'm looking for a fastball every pitch. I think it's one of the hardest things to do in sports-to hit a moving baseball.
My major league debut came at old Busch Stadium on Grand Avenue in St. Louis, against the Pittsburgh Pirates. The first pitch I threw was to third baseman Bob Bailey. It was a fastball, low and away. He ripped it for a home run down the left field line. I said, 'Damn, that was a pretty good pitch.
As my kids grow up, I think a lot about the lessons and values I want to impart to them. More than any particular skill or even financial support, I believe perseverance and resilience will serve them best, regardless of what curveball life inevitably throws them.
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