A Quote by Tim Lucas
If it's a choice between spending twenty five dollars for tickets to a movie and almost that much again for drinks and popcorn, it's understandable that people are opting to buy a movie on DVD for fifteen dollars, even if it's no-frills.
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I had no money to buy books, so between classes and work, I haunted the library. I even tutored in French with a sliding scale of payment: twenty dollars for an A, fifteen for a B, ten for a C, five for a D.
Movie theaters barely make any money. A movie can make a couple of thousand dollars, or could get lucky and make ten or fifteen thousand dollars, but theatrical releases don't really sustain the work. For me, it's the best sort of advertisement for anything else you'd want to do.
Fifteen dollar too beaucoup. Five dollars each... Five dollars is all my mom allows me to spend.
If I earn a million dollars a week and the average American earns a thousand dollars a week, then when I spend twenty thousand dollars on something it’s the equivalent of the average American spending twenty dollars on something, right?
I am a buyer of blank books. Kids find it interesting that I would buy a blank book. They say, Twenty-Six dollars for a blank book! Why would you pay that? The reason I pay twenty-six dollars is to challenge myself to find something worth twenty-six dollars to put in there. All my journals are private, but if you ever got hold of one of them, you wouldn't have to look very far to discover it is worth more than twenty-six dollars
When I give concerts, the tickets sell for five dollars to one hundred dollars, but for my concerts the five-dollar seats are down in front... the further back you go, the more you have to pay. The hundred dollar seats are the last two rows, and those tickets go like hotcakes! In fact, if you pay two hundred dollars you don't have to come at all.
Inflation is when you pay fifteen dollars for the ten-dollar haircut you used to get for five dollars when you had hair.
The movie business has been in enormous flux. It's always changing, and you've got to scramble. The Internet came along and devoured the DVD backend of the movie business. Suddenly you're watching dollars turn into nickels, and that's interesting to me.
I've always found that no matter how much you spend on a movie - you can spend sixty dollars or sixty million dollars - if the movie's good, it's good.
What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.
I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.
You must think I am a high-priced man.... Fifteen dollars is enough for the job. I send you a receipt for fifteen dollars, and return to you a ten-dollar bill.
Just because someone isn't allowing you to pay for the date, it doesn't mean you can't contribute on some level. For example, if someone took you for dinner and a movie, they may have paid for the dinner, they may have paid for the movie tickets, but then you buy the popcorn.
You don't have to make, you know, $3 Million dollars a movie, or $20 Million dollars a movie, but if you make a living doing what you love doing, then that's success to me.
You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.
I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.
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