A Quote by Tim Matheson

Kurt Russell said another brilliant thing. He had starred in umpteen movies by that point. And he said, "Generally speaking, in every film I've done, there are only about three or four scenes that I can really do something with. For the rest of it, it's not so much that you don't have to prepare, but there's not much you can really do. You just do what is asked of you in those scenes. You don't want to do too much."
I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
There is always something funny going on between scenes with Adam Sandler. He's always cracking jokes and yelling at people for no reason. It's pretty funny. He'll joke around during scenes, too. When he guest-starred on 'Jessie,' there was nothing in the script that he said first take.
A friend asked one of my daughters, "Do you like politics?" And my daughter said, "No, I don't. And the reason I don't like it is because there's too much fighting, too much yelling. It's so loud, I don't like it." You know, I turned to my friend and I said, "You know, she's really on to something."
If you're a filmmaker, and every time you finish a film, you just naturally go, 'Oh, I could have done so much better,' that's not much fun, is it, really? You might as well go pick another profession if that really is how you derive satisfaction from it.
I don't know what it is about human beings but most of us really like reading about or observing sexual tension and romance. It's just so much fun. I don't know if there is some Darwinian thing in us that really responds to that, but I think the most memorable scenes to me in books and movies are the ones where a couple is about to kiss.
I love doing emotional scenes. As I've had a perfect life, I don't really have much to pull from. But it's really fun and not that challenging. It's almost pretty easy. The hardest thing is to try and make people laugh. That's a really hard thing.
If something takes too long, something happens to you. You become all and only the thing you want and nothing else, for you have paid too much for it, too much in wanting and too much in waiting and too much in getting.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
In 'Queer as Folk,' we had three or four sex scenes in every episode, so I got used to doing that very early on. Those kinds of scenes can be challenging. They take a bit of time, and everyone's a bit nervous.
As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"
I may film scenes I had no intention of filming; things suggest themselves on location, and we improvise. I try not to think about it too much. Then, in the cutting room, I take the film and start to put it together, and only then do I begin to get an idea of what it is about.
When I go to throw a punch, actually, my intention is to hit somebody. That's just second nature to me. So you have to just rewire yourself. It's not something where you have to sit and subconsciously think about it, but you kind of have to just put yourself in that mode and go with it. Learning the fight scenes, I've never had to learn choreography before, so learning the fight scenes was like learning a dance or something like that. I had a little bit of influence in the fight scenes and I tried to put as much influence there as I could, but I had fun doing it.
I love doing lesbian love scenes. Before I did my lesbian scenes in Gia, I talked to actresses who said love scenes are easier with another woman than a man. Bound's Gina Gershon and Jennifer Tilly said they'd lie there and discuss the sale at Barney's between takes.
A man walked into a shop and asked, "How much are your eggs?" He said "£1.40 a dozen". He then asked: "How much are your cracked ones?" He said: "35p". He said: "Crack us four dozen."
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
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