A Quote by Tim Matheson
I understood the workmanlike quality of a good stand-up. They all have this. There's a technique for everything you do. But boy, it's tough, 'cause there ain't anybody else out there but you.
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The minute you or anybody else knows what you are you are not it, you are what you or anybody else knows you are and as everything in living is made up of finding out what you are it is extraordinarily difficult really not to know what you are and yet to be that thing.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
Just make up your mind at the very outset that your work is going to stand for quality... that you are going to stamp a superior quality upon everything that goes out of your hands, that whatever you do shall bear the hallmark of excellence.
Stand-up comedy is tough right now. Anybody can come to a concert, tape you, and put you up on the Internet. You either fight it or embrace it.
It was just something - I didn't agree with what the flag was representing at this time, and you know, if you look at the original picture where people addressed it, I was trying to sit behind the coolers and out of the way, 'cause I didn't want to interrupt anybody else's right to stand and hold attention to the flag.
It's the story of my life. You see, the quality of any advice anybody has to offer has to be judged against the quality of life they actually lead. Now, as you look through this document you'll see that I've underlined all the major decisions I ever made to make the stand out. They're all indexed and cross-referenced. See? All I can suggest is that if you take decisions that are exactly opposite to the sort of decisions that I've taken, then maybe you won't finish up at the end of your life" --she paused, and filled her lungs for a good should--"in a smelly old cave like this!
I know throughout my childhood, there were many times I couldn't stand being a 'Jr.' I wouldn't want anybody else to go through that. If we'd had a boy, he wouldn't have been another Freddie Prinze.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
All girls like guys who are tough. Obviously, riding a motorcycle - I don't want to say that there's a bad boy quality - but there's definitely a tough and macho thing about a guy who rides a motorcycles and that element of danger. That's really sexy.
Ben Askren, he's a tough boy. Golly, he's a tough boy. That's what wrestling does. When you wrestle your whole life, you got to be a tough dude to wrestle.
I focus on faculty, as opposed to facilities, budgets, endowments or students. I do so because I believe, based on many decades of work as a teacher, a scholar and an administrator, that the quality of the faculty determines the quality of the university. Everything else flows from the quality of the faculty. If the faculty are good, you will attract good students and you will have alumni who will raise funds for you.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Practice quality, and you get better at quality. But quality takes time, so by working solely on quality, you end up losing something else that's important - speed.
Painting, like any art, comprises a technique, a workmanlike handling of material, but the accuracy of a tone and the fictitious combination of effects depend entirely on the choice made by the artist.
The only thing I really recommend, if you're starting out in stand-up is to not try to copy anybody else. You can be influenced by people. I was influenced by Steve Martin and Bob Newhart and Woody Allen, but I never tried to be someone else. I always tried to be myself. And the reason people are successful is they're unique.
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
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