A Quote by Tim Matheson

Working with Lucille Ball was just a master class in how to do comedy. — © Tim Matheson
Working with Lucille Ball was just a master class in how to do comedy.
You know, master classes are essentially extended Q&As. That's how I always approach them. I don't mean to downplay it. It's just that I never fancy myself as someone who is taking a class. 'Master class' insinuates a teacher, and I'm not one.
I wrote three years for Lucille Ball. She taught me everything I know about physical comedy...
The girls that I grew up with, and my friends and I, we just never had interests in common. I loved comedy. I loved Saturday Night Live, Gilda Radner, Lucille Ball, and Goldie Hawn movies. I just wanted to laugh. I liked women in comedy, and I liked male comics as I got a little older. My interests just never matched up with other girls'.
I love Lucille Ball. But you don't call that Shakespeare. It's just entertainment, you know. And if you like that, then go have a ball, have fun.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
I'd like to play a mixture of Lucille Ball meets Murphy Brown meets Glenn Close on 'Damages,' to keep a little bit of the darkness in there. I like dark comedy a lot.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
I'm a progressive who knows how to talk to working-class people, and I know how to get elected in working-class districts. Because at the end of the day, the progressive agenda is what's best for working families.
My first time on stage was the class "graduation" at the Comedy Store. It was awesome. Everything got huge laughs and I just thought I knew how to do comedy.
I had started calling her Lucy shortly after we met; I didn't like the name Lucille. That's how our television show was called I Love Lucy, not Lucille.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
I loved Lucille Ball growing up.
I kind of knew inside that I wanted to try comedy, but it was a mystery. How do you start? So when I hit 30 and I had done everything I wanted to do in journalism, so I went to a comedy class. I figured I'd learn how to do five minutes and see how it feels.
Jimmy Stewart and Lucille Ball were so unique.
I grew up in Solihull, on the edge of what was then the Birmingham conurbation. It was a good place to write comedy from. I didn't feel allegiance to anything. I didn't have working-class pride or upper-class superiority.
There is quite a lot of mutual misunderstanding between the upper middle class and the working class. Reviewing what's been said about the white working class and the Democrats, I realized that there's even a lot of disagreement about who the working class IS.
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